Descriptions:
Video Description
In this workshop, Ammon Hillman runs a pair of TLG searches that start with the dragon. He looks for venom and dragon together, gets 13 works, and reads Isaiah’s line about asp venom as an example of how the poison and the serpent hang together. He then searches for the dragon paired with diabolos (διάβολος), the slanderer, and finds the phrase for the invisible enemy, the devil the dragon. Origen is pulled in because he treats that dragon as many-headed, the same many heads that John’s Revelation gives the beast.
The middle of the evening belongs to Pate and his program, the Universal Sound Operating System. On screen is a wheel where every language fits inside a circle called Ananke (Ἀνάγκη), necessity, while Chronos (Χρόνος) moves time through it and Thanos, or sound, is the achievement. The nine axioms of the program are drawn from reducing Greek nouns and verbs, and Pate explains that what we call magic is a path that steps outside the expected flow, the same way a golden spiral keeps escaping a circle.
Ammon then opens Euripides’ Bacchae in Greek and translates its first lines: Dionysus says he has come as a child of Zeus to Thebes, born to Semele, who was struck by the fire that carries lightning. He reads lochia (λοχεία), the discharge of birth, in that lightning-struck labor, and points to the Kore (κόρη), the daughter, as what the rite makes visible. The hour closes on the digamma, the invisible letter, with Monroe’s Homeric grammar as the map, and the claim that the music of Greek, not an invented Indo-European ancestor, is where the meaning lives.
Full Video Transcript
Alright, are people hearing me? Should we give a sound check? Welcome back to Ammon’s workshop. Oh, God, where is the good stuff, people? I’m just, I’m going to bring you a couple of things today, but opening up the workshop, bringing in a couple of people, say a few things.
my students sit back. We’ll talk in a minute about a new class, too, because I want to talk
about that class while we work, and we’ll get there. But first, I know that we’re going to
talk to Pate, and Pate is going to bring us something special. Would you say something
special? Fantastic. Is Pate around? Hello. Hello, Pate. How are you? Good. How are you?
I’m doing well. Thanks for throwing this out on a workshop. I want people to see, and I’m ready to see because I didn’t get to see it, so I’m going to shut up, and I’m just going to give you the floor.
All right, guys. Where are we? Here we are. Okay. Just apologies if you hear me. I’m individually in the background. I’m going through a pesticide. I double-booked. My apologies. My partner’s taking care of all of it.
hi hey if you’d like to come i’m sorry yeah let’s come back in five minutes okay here i’ll give you
15 you know what i mean take it easy just you know let us know in the chat okay so i’m taking
over the start here people and i want us chewy do we can uh transfer here to a new search to
my search page i want i want to do a triplet people look what i’m bringing you right off the
at yummy i’m gonna have an intensive reading course by the way oh what is this we’ve got a
new tool but before we get there look what i did people anybody see what i am up to here on
dlg look what i put in here i put the venom with the dragon and i got 13 13 works
people you just want to see what do i have how did i have these organized oh yes there’s
euripides ion right origin just look quick at the authors right craig nauseasinous
ah didymus caicus i don’t work with didymus caicus a lot this is like uh what is that blind
testicles it’s weird look people it’s the venom of the asps oh we’re getting some wine isaiah
isaiah people are you surprised no this is isaiah’s abbas because that one doesn’t exist
Ah, cedricon. Sounds unpleasant. You know what I mean?
Pas iostu dracontos tu infusontos incardiae.
Where is that poison going to? My poor heart.
Posesios, right? That’s how it is with the old aspidos, asp.
people look at there’s known as making shit up
what a way to describe it people there’s traditions with these words there’s two
searches here i want to do a new one that we’ve never done i want to do a proximity search
looking for are we hunting dragons today they want to hunt dragons oh god what kind of dragons
people how about dragons that are diabolic we need one more entry people because i know i’m
getting a hit on this if you don’t believe me you believe me here let’s do the tour
the two-dimensional before we do the three-dimensional how many hits do we get
63 people let’s start with the earliest and sure enough it’s somebody sacred in their fucking life
post 81 i don’t like that post there right look at the post it’s questionable so the dating that
they’ve got is you know people always they’re they’re shocked at this oh god look at this people
What is that one?
Look at this whole phrase, people.
Ton aoraton ehthron diabolon draconta.
He’s the enemy, you know what I mean?
Diabolon.
You know what we’re doing?
We’re making tornadoes for the rest of the country.
Yes, we are.
People, they’re being born outside.
Ton aoraton ehthron diabolon.
Right?
Oh, God.
He’s, he’s Aoraton. People, are you surprised? Are you surprised? Remember who else was, for those of you
who haven’t been around a while, right? What is that Aoratos? It’s the unseen. Gaia, earth was that
in the beginning, in the Bible, right? Because that’s what gods are. Oh God, what a wonderful
praise yeah anyhow so there’s our dragon right boom plotark no not count origin’s trying to tell
us to avoid that unanimous self the devil right oh god origin how can origin be helpful he’s ah
here we go okay here’s what we need to do now people if i was working on this i’d say okay look
i’ve got a project now because origin’s gonna be talking shit about job so okay i can use this
i can do the comparison of how the diabolic is associated with that dragon right the corruption
of one’s interior and i can do it through origin yeah look what origin’s doing that dragon the
you know, the archios, the first, right? The arch, the arch god, the diabolos. Yeah, what does he do
in John’s apocalypse, right? Says he has many heads, says Origen. Look what Origen’s doing.
He’s not one. This isn’t a dude with one head, right? He’s gonna go on and talk about it.
Apparently, that’s the homily in the Psalms.
Nice.
Is he a Logos, of course?
Oh, two to four.
I hate, I’m sorry.
Go ahead, Chewie.
Is it having buffering problems?
Damn it.
I hope people were able to see that.
People, let’s see.
Is that, yeah.
Let me do a couple more,
and then let’s give Pate the four again.
And we’ll do the three.
This is still just the deuce, people.
We’re just doing two by twos right now.
oh god treated that great dragon the way he did the devil oh mining people look at the environment
just by the vocabulary when you’re smelling around for dragons you’re always gonna find
sophia no let’s not miss this phrase from those uranium waters what are uranium waters does
anybody know? Watch this. Wait, what are you? Oh, these are coming from them. Fantastic people.
What a bunch of analyzers. People, I’m going to do a double search again. Just wait. We’ll get to
a third. But here’s the uranium waters. Let’s see where we go. Full corpus. Do we get a lot?
Moderate is not great. Not great. But moderate, where do we see them first coming from? See,
people how you can trace the history of the word this way, right? Fantastic. People just look. Look
at the dates. This is why I like the search that puts them in order. Look at the dates and the
authors. Pindar, right? Sixth. Plato, fifth, fourth, right? Unfortunately in this one, look what we’ve
done with Plato. You piece of shit. He’s drawing in the Uranus, right? Or I should just say Uranus,
right? With the fire and the water and the air and the earth. What are we doing? We’re figuring
out how the architecture of the universe works, right? Oh, here’s a lilacs, people. A lilapodic.
go ahead pate let’s come back to pate if you’re interested the floor is yours all right
there we are how’s everyone going here can you all hear me great you sound great and by the way
people i just want people to know i’m seeing this for the first time how are you
julie and i went through it um it it is a little bit more complicated to get installed on macintosh
than it is on windows operating system and that’s because there’s a apple signature price where you
need to pay a hundred dollars to get your signatures all placed in onto the apps and
everything like that so i’m trying to figure out the the other way for chewie to install it
chewie you’re going to have to become a developer with me and we’re going to have to develop this
app together so that you can have it on to your computer that way we can yeah we’ll be able to
bypass that signature thing that that Macintosh has for security reasons okay everyone um I do
usually have a tour that this comes with welcome to the universal sound operating system it’s a
constraint-based composition environment. You build your song structures from template, validate them
against the USOS rules and policies, and hear them as scale-driven melodies. I’ll close that right
now. Here is your song, your song structure. I believe this is the Song of Dionysus. I have been
working on the 20-25 lines that you asked me to read and I placed it into this and made a song
out of it. Now the song is quite big. I wasn’t able to finish it. There’s complications but
it’s a work in progress. I can have it all play automatically just in a wave form or a
meaty form because it’s just a skeleton um with rules and and engagements ah doesn’t matter okay
so if i press on if i press on one of the sections i can have the i’m so sorry i’ve
distracted my little boys walking around me okay so i can associate my lead instruments
with whatever i would like i can do it here you can see all the instruments for your lead
you have an accompaniment you have all your instruments here this is how it will automate
the the story and here’s your rudiments that you can place as well and here is the terminal
it goes through more details you could say and all certain main scales now the scales
as i was showing chewy the other day if i can find it in my manifolds section architecture
recurrence this is for the songs energy landscapes power distribution whole bunch of things
um i get very overwhelmed with this too here’s your tri-state holistic os i can’t find my it’s
so huge it’s such a big big app pre-chorus here’s here’s a summary and i’m distracted at the same
time scale wheel oh there we go i found it here are all your scales that i was able to put on
the circumference of reality and constraints. Here you are, Ionian major, and it relates to
clarity, confidence, and resilience. When we’re in normal, if we’re in a sharp, we have purity,
serenity, grief. We have spark, joy, and release when it’s on a sharp, and we can see the tri
factor here within the song too so at the moment the song the dionysus song which was assessed
is mostly in those scales so harmonic minimum and an ionian scale i can have every scale
play i don’t know if you hear it i don’t think you hear it it was playing for no i didn’t i
didn’t hear it paid no I didn’t hear it either it was working for take your time and don’t worry
about anything distractions don’t worry we’re sitting here in the workshop so it’s not a it’s
not a big deal um I’m oh can I just say I am overwhelmed this is gorgeous and beautiful
this is just the song part oh god please keep keep I’m gonna bounce off and explain it make
sure you do so pate for people who are maybe at a level that you know you need to keep it simple
people like me right this is fantastic people pate is so smart he always puts me in my proper
place of humility okay floor is yours so we have an emotional manifold all of our emotions are on
this scale of valence arousal and dominance we can see rage and fury we can see triumph and
ecstasy and we can see boredom and apathy at that level we can search for any emotion that you want
where’s my worry my worries in here and this is placed on to all the um all the build of the song
my scale wheel again as you can see all the emotions are there um and if we look at lyrics
licks are very interesting i can load up any file that has words in it it’ll go through the whole
process and it’ll tell me uh what kind of document this is is it scientific is it technical is it
philosophical? Is it fiction? And it’ll pop up with that indicator. So let’s go through it now.
I’ve classified my journey. This is a real document I pulled up. It’s 70% real and 30%
magic. Now the magic only means that it violates a flow. And that flow is created by all the
languages we have um all the all the nouns and all the nouns and and verbs of the languages
i have egyptian i have latin i got hindi german chinese which is mandarin really um sumerian
sanskrit akkadian arabic greek english and french let’s look at greek um well these are not i think
i didn’t update my usos it’s okay i’ve got your three books here dr hillman that i can prime my
ai that’s on os or usos it’ll go through all of your books um that’s amazing that’s amazing i’m
i’m glad you got them from the pirates i am looking for my heat map lexicon languages it
must be somewhere else anyways um it could be in lyrics it could be it could be anywhere this is
not end user this is just all the thoughts all the documents all the knowledge all the facts
all the physics in one place i need to tie it up a little bit better than this
glitch reality there we go constraint space capture power overlays climate freedom overlays
operators i cannot find oh is it here is it here i have a heat map that has all the languages on it
and we can see it on the constraints of reality it’s okay right now we have greek okay this is
the crux of the whole thing this is the crux of reality we have ananke around as the constraints
of reality. We have chronos as the movement of time. It’s based, it’s nursed in the womb
of the whole of the cosmos. And we can have all the languages in a reductive manner,
which will place in an umbrella term, act, an axiom of understanding of reality. So this,
these nine axioms of reality are based on a reductive process of Greek language,
the Greek nouns and verbs. So I placed all the nouns and verbs under terms that could umbrella
those sections. So action verbs, action nouns. Now I was able to do that nine times. If I remove
one of them i can’t really place the other nouns and verbs into the other axioms a nine axiom
language based reality from attic greek and it’s validated by the english nouns and verbs it’s
validated by the french german obviously not all the languages that we have but the main languages
that we do have all validate these this construct if we combine certain of the axiom pairs we can
have identity reoccurrence of memory settlement and it all leads to a closure this is our journey
that we go through in reality this is the song that is placed around this manifold that was hard
to do this was the biggest thing to do everything else kind of just dropped into place and this is
because of Sappho. Sappho is the inspiration of this she goes through all the grammar she goes
through all the the syntaxes everyone in Greek is basing their language on her principles so this
is not mind make believe this is this is very factual everybody can reproduce this anybody can
validate this and all the instructions are are in in the app you can see it in different languages
too if you’d like moving on i can have the song uh build its own um customary build sorry little
one i’m talking i’m talking can you go see mom i’m sorry buddy the i i should have removed tool
and Latris’ build structure here.
And I should have removed Metallica’s
Master of Puppet Injustice build.
It’s not a copyright thing.
It’s not playing their song.
It’s just putting a song in that type of structure.
You’ll be able to add whatever you’d like,
move these around if you want to, et cetera, et cetera,
and then generate the structure.
Now, coda is another word for the end of a song. So there’s no power, there’s no song, there’s no volume, it just becomes a quiet state of existence.
similarly to the bellman’s optimal path so this is again not fiction it’s based on physics the
bellman optimal path is a calculation that we have that predicts reality if the bellman path
is violated we understand that there’s something that has been introduced that wasn’t there in the
first place. And that’s another method or another technique that we can use to identify what is
fiction and what is based in reality, we could say. I don’t mind magic. I don’t mind magic.
So let’s go magic. We are now wizards. We can now build our song structures with a new
new opportunity oh up here golden spirals chaos attractors ritual circles divination fields
mythic echoes faith transcendence strange loops oracle drifts emergencies sacred geometries
and i can force it to break that path through reality which is here which is this right so now
we understand that if we go through a normal journey around reality and we the process we
then create magic we create a way to overdrive reality and it’s beautifully
sang moving on we have rudiments that we can automate place all the the styles of
rhythm to your song chorus all the builders there we went through all these
And now here we are. The very interesting part for you, Dr. Hillman, is that we have all the languages, lexicons and dictionaries and grammar and syntaxal procedures in our language section.
Sorry, I’m distracted again. Here’s the lexicon journey. And here is here are our lexicons and dictionaries.
Now I have the full lsj and bailey on this operating system and let’s look at logos.
Now logos has a lot of similarities to other words and that will come up in the process as well.
So I have the default lemma, substring, gloss. I have the consonant skeleton so this will ignore
all vowels so uh lambda gamma and sigma it will ignore the omicrons or i can just decide which
consonant or vowel not to use let’s just use them all logos alogos i do logos and it goes on and on
and on and on and on all the logos all the logos and here we can see that in your books you don’t
really use the greek words so we can go farmaka am i stuck there farmaka it took a little bit
to load farmaka and do not spell it out hillman hillman hillman hillman baileys baileys did i not
oh it’s looking at this word okay uh from uh it should it should be working i’m not quite sure
why it’s not coming it was working with you yesterday but not before you said the other
this is my version the version that’s online is working a bit sad it’s okay maybe maybe you have
to do it no that’s just my checker sorry i’m trying to find where i wrote the word it’s such
a big system it’s totally gone where did it go can i just ask while you’re working and while
you’re demonstrating and putting things together can i just ask um this strikes me as a tremendous
undertaking and it it’s is it a fact that this teaches you as you as you go along as you
yes as you create your art you are your art is then like educating you it’s teaching you it’s
this is fantastic absolutely fantastic you’ve got satan up there what’s going on so i have at the
moment the stn branch i don’t have this is perfect this is a perfect demonstration of why we should
get the tlg the stn branch the sigmato new branch that i have is only partial i don’t have all the
findings all the results the results of the tlg on my computer i can get that if i have a
subscription to the full version nonetheless i have um the possibility to go through the styles
of of satanas um i had a visual demonstration of it too but i had to i had to reduce it
because it was not appearing properly through this window i’m still working on it you guys
did see some stuff on it i posted okay um it’s it’s that is amazing hey hang on let me ask you
pete can you take us back to that diagram that you had that was ananke um encircling the all
pawn can you just let us and by us i mean you know let us those of us who were learning now
from you explain that to us just you know give us a once around you know you’re the sure you’re
you’re the devil and we are the people that you are showing the cosmos to so it all comes from
the greek now we were able to ontologically observe reality and we are able to use those words
as those constraints are very beautifully done we put personifications to these these
beings these flow of life anankhe meaning constraints meaning nothing passes through
anankhe if you look at the terminology of the word and i just tell you anankhe is more
orific than any um oh god this looks like an orific orb to me and i’m trying to understand it
based on that go ahead go ahead it absolutely is it’s loading up a 9k it is a big system i’m
running on a on a big uh gpu uh this gpu graphics processor and it still has me waiting because i
don’t think it’s taking the graphics processor. I think it’s just taking the computer. I’ve got it
stuck on Logos. It’s okay. I will open it up again and share my screen again. Here we go. Languages.
We go into the lexicon. And where do I put my word? Here. Let’s go to the full. Actually,
I won’t go to the full. I’ll just write this word here. So how do we write Ananke? Do we write like
this a well alpha new alpha new uh key and um epsilon is that right it’s alpha new alpha gamma
kappa eta gamma kappa eta uh-huh thank you so now it’ll go back to logos but if i control if i
hang on with that hang on was that an epsilon on the end i think you put an epsilon oh sorry
There we go.
There we go.
Force, constraint, necessity, critéré, or dépiqué, set.
Interesting.
And in French, nécessité, contrainte.
And we have it again.
Anquet, métal, anart.
And it goes through the whole thing.
Compulsion under disguise of persuasion.
Force majeure, major force.
Dress.
They’re banging for cockroaches.
Okay.
Back to the manifolds.
Back to the manifold of mead.
And here you are.
Here’s the constraints. This circumference of reality is Ananke. There’s nothing that goes outside of this. Everything is within this, within that womb of Ananke, that reality that is her, and we live through her, through these constraints.
Now, you can see the manifold moving because Kronos and Ananke create reality.
It creates our sense of flow and our capability of having our senses interpret ontologically what is going on for us.
The need as such, the center as such, you could say it’s Thanos.
You could say that the emergence of things creates the song without the need, without the push, without the drive.
We’re just complacent. We don’t do anything.
Now, the first sound, the first song, the first realization is Thanos.
We can have a look at the phonology.
I’ll copy, paste so I don’t push alpha or something.
It’ll take us 10 minutes to load.
Thanos, light, bright, arm, Thanos, Ali, Stephanos.
Ooh, and we can go through its understanding
in this way as well.
So yes, this is an educational tool.
Yep, and it will be available for everyone to understand
and to go through meaning and so our song goes around fanos right it allows us to understand
what is needed for us to be able to reveal things and harmonize things we have to do certain things
certain actions we have to bind we have to probe we have to withdraw and if you control the need
which religions and ideologies do we stop living in a reality we stop living within
Ananke, we start living into that person’s ideology, that person’s state of mind, and they
want to control our state of mind, our reality, how we move through Ananke, our song, our Thanos
being controlled and dismembered. That is religion. That is ideologies. And that’s why it’s so
dangerous because it stops us from journeying it stops us from growing it stops us from having
closure we’re in a permanent state of fear a permanent state of not knowing if it’s okay to
do things because we do not know what reality is we are then based in uh where’s my metaphor i mean
We are then based in a state of wizardry or magic, which I showed up all the styles.
So that’s how we create magic.
We create magic by understanding Ananke.
We understand that Ananke has children and is manifesting reality with those constraints.
Thanos is not the only child of Kronos and Ananke.
Any questions?
Chaos.
Oh, chaos.
Chaos is one of those children.
Oh, yes.
Yeah, exactly.
Is there any of that in here?
Okay, I’m going to show you.
Oh, yes.
Chaos is definitely a part of all of that.
And that’s a magical side of it.
And the chaos only is represented in a state of confusion or change.
so chaos really for Adanke is not chaos at all she understands the chaos she understands why
it’s going through the way it’s going through or randomly one point to the other it’s not chaos if
you see the whole picture it’s only chaos if you’re living through it if you’re in it so yeah
chaos is definitely a magical state it does not follow the um it does not follow um reality
it’s a strange attractor dynamics the okay yeah okay okay wait i’ve got another one sure i’ve got
another one i want another child um where is ether in all of this i know that i i i kind of feel
i kind of feel the ether in this because that ether is what carries um like the power of olympus
is through the ether so i’m i’m wondering um ether is a child of a necessity compulsion
um is that like uh is that like the medium of the magic how does it is there any ether in here
wow it probably does um as such ether oh wow such a big word has so many meanings to this
the ether is it the depth is it the emotion is it the intention is it the well it’s the necessity
isn’t it wow so yeah i’d have to be able to explain it better i’d have to go into the greek
a little bit more in in that understanding i was very focused on thanos not necessarily focused on
all the other children but ether is like it’s not flux what’s ether oh wow yeah exactly there’s a
i i’m struck i’m struck by your orphic core here underneath all the programming
is this is an orphic reality that you’re pulling out i mean i’m i’m glad i wore white you know
what i mean because this is the it’s like an orphic poet has come to life in the form of
programming and sappho made him do it yes you know what i mean
the more can i can i ask you this the more that i encounter sappho the more i see that the music
is dependent upon her and there’s a reason they call her the 10th muse um you know this is amazing
this is i’m sorry but this is absolutely amazing um yeah yeah and it you know it does work i’m not
sure why your book didn’t show up the pharmaca part um but yeah it it’s working beautifully
and i had the ai sorting out yesterday it was my big thing yesterday so if i start the ai bridge
it’ll start it in a few seconds it’ll tell me that it’s it’s up i go to my sorry for all the
the writing to either i hooked up to all llms olama and my developmental developer ai i can start
and then i can prime so by priming the ai you in you un indoctrinate it so it sent all my
instructions of how to behave and it’s answering me the user is sharing extensive documentation
about the universal sound operating system which contains an earlier observation conversation
where both systems and user contributed detailed context blah blah blah blah i’ll answer the new
terms if you change in the workspace it’s working right so i could say like who is jesus
and it’ll be able to answer with me in an in an ontological fashion now your your books
where’d they go where are they there they are your books um are able to be primed as well i’m able to
send all of your books into that uh system and it will consider your perspective instead of
um instead of its own pre-training which is amazing i’ve got your whole three books in there
and they’ll listen to you.
You’re scaring me, Pate.
Pate, you’re scaring me.
Please continue.
This is starting to disturb me a little bit.
Go ahead.
Pick your brain.
I’m excited, too.
I’m excited, too.
I feel like I’m with Dr. Frankenstein.
I really do.
I’m like, oh, my God.
It’s dangerous to be smart.
Okay, go ahead.
If you ever want to create a new book
and you want to place it in there, too,
You can do it through the save and export sections.
I can export the whole field and full name of the whole US OS, and I can place it into any text that I want.
It’ll be a JSON form.
And yes, JSON is very appropriate for that terminology because you’re building a ship, you’re putting stuff in a ship, and then you’re side-carding it.
You’re basically invading the application.
Welcome, JSON.
all right um mad scientist
and here’s my developer section it it basically allows you to know where i’m at
in this um yeah it goes through the whole setup of where i’m at it shows you all the work that i’ve
I’ve done all the scales you can pick another Jason to think as you want to
assess it on another application it explains to you all the work here’s the
to do’s and here are certain things that have been done and it goes on and on and
on so I can keep my mind clear of what’s needed here’s all the things that have
been done here are the the future projects that are involved what else am i missing now i can see
the song structure as well on this it’s just for testing things out i feel like i’ve missed
something hmm what else can i show you i can take i could take a song an mp3 right i can take an mp3
and i can go where’s my twinkle twinkle little star twinkle twinkle little star on a grand
piano okay very simple it’ll run the transcript and then it’ll give me the whole song and all
all the notes um on it it’s technically opening here twinkle twinkle
uh-huh okay here it’s posting me the whole jason right call it test in in greek and then i’ll open
it up here’s my grief song that i posted the other day uh it’s jason i could load it up that way
ah it’s going through here here’s my developer ai place it all into this i’ll load it up import
And here’s Twinkle Twinkle Little Star. I can then add any instrument that I want to it. I suggest a lead and accompaniment. And then I can go deeper into it. I can create the rhythm and the style of rhythm or scales, like a 12-tet or just intonation.
And it will also build the cycle of beats that should be there.
It’s also going into other languages
to understand rudiments better.
So you can see all the Hindu stuff here as well.
And then you export it as a wave or a MIDI.
I already have it up there.
Do I want to replace it?
Sure.
In the load and save, there’s an able harmonic review
of the song.
So twinkle, twinkle, little star is more American
than European.
It’s based on a root of C. It seems
to be also linked to Ionian scales in there, too.
Sorry.
Use harmonic annotation.
can use the roman numerals for extraction instead so if i export where’s my export here are all the
notes that it reverse engineered so i can take any song and reverse engineer harmonically the
uh the notes and the timing it took and it goes into the pitch and it goes into
the rudiments as well of the song in the end we have a do this is this why it’s not working
there we go i didn’t fully modify it i can do more work on the midi this is not the
end product of the reverse engineer i can then take that all that information and i can
then put it into
a music composer
and produce something
that sounds like this
because it’s considering the scales
it’s considering the
rhythm and I called it
Twinkle Venus
there’s a better
version, there you go
anyways
can you do that again
we couldn’t hear it on this
you could not hear it
yes no in here can you hear it now nope no how is this can you hear it now yes got it now not
better originally it’s it’s not as nice as this because this is ai interpretation now open up the
other one for you i’ll open up the screen as well sharing screen sharing the song or sophia says
play it on your speaker and hold your microphone up to it this is the reverse engineer part this
is the usos this is not ai at all this is the reverse engineering output um raw and the original
song that i took that from is where’s i that’s not this one i’m looking for the piano lots of work
done somebody said something maori you heard that that’s the original the one pre this is
the reverse engineer let’s get back to my screen usos okay as you can see the usos is a valid
representation of music and of documentation you can basically upload any of your texts
in the language bar it’ll check the whole system it doesn’t matter if it’s a song it doesn’t matter
if it’s a document it doesn’t matter if it’s greek it doesn’t matter if it’s mandarin i’m able to put
more languages as uh the further along we go and i’m able to well the system is able to
be further developed with instructions with advice this is not a closed project
i would like everybody to be involved i am embarrassed at the fact that these three prime
I was really wanting to show your books off you know it is what it is I ended up
working on this until three o’clock in the morning yesterday still trying to
working still working things out transcript it’s not it’s like your art
it’s like a sculpture that you’re constantly working on is that right and
Tell us, just give me, how long have you been working on this paper?
Theoretically, I’ve been working on it since I’ve, it’s been years.
It’s been years.
I’ve started all my research with the Sumerian stuff, the oldest artifacts that we had, unfortunately.
it did lead me to the greek and then the greek made me understand that most of the data that
we have are retrospection and retrofitted so most of the artifacts that we have are interpreted
um on a biased way of of you know theology right so they’re they’re trying to bring about
a perspective of the world that fits their narrative and that’s that happens you know
we’re we’re all raised in this world we’re all in it together and and our philosophies and our
ideologies come from our parents and their parents and so on and we’ve been doing that for millennia
it’s very important that we now as their grand great-grandchildren try to understand why they
we’re doing things and try to differentiate the fantasy or, you know, the actions that
don’t necessarily lead to what we want and then replace it to have more constructive
behaviors.
My background is in psychology.
I’ve done my university bachelor’s degree in psych.
My previous wife had cancer during my university courses.
so right at the end i had done everything i just had one more exam to do on social sciences which
is not my favorite because it’s very biased and very opinionated um nonetheless i didn’t get to
do the exam my wife had then survived for three years and then she passed away i have two children
from her it’s my sad story it’s okay i’m sorry um i’m doing a lot better i have a new partner
i have a little boy that’s called link and he’s amazing he’s three years old so we’re doing a lot
better taking this yeah enjoy it enjoy that you know what i mean it’s a lot of work but enjoy it
because you’ll look back on this time that you with him at this age and you’ll you’ll say i wish
i could go i wish i could have done these things i wish i didn’t yeah absolutely absolutely love it
i love it can you tell me really quick you mentioned pate the first 20 to 25 lines of
okay yes um how is that factoring in here again explain it to me like i’m a dummy thank you sure
if i go ahead and go into my language manifold i can take um i can take
Euripides. I can take the text in Greek. I copy it. No, that’s not. You guys see my US OS? Is it
on the right screen? I don’t think so. You don’t see my OS OS? Yeah, you do. Yes. Wait. No, we see
it right here. Yeah, go ahead. Fantastic. So putting it in the right section. I think I need
put it with their exception okay i place i place all of your pity’s dionysus song i dis dice i could
apply it to the four parts i i’m dissecting the song i’ll place it here too i classify the journey
and it’s telling me that it’s 15 real and 85 magic now that doesn’t necessarily mean that it’s
it’s fiction it’s telling me that it’s it reads like a poem so euripides
is singing this is a song this is a poem it’s fragmented it’s reduced in single words one
three one to three words per line expands fragment into full sentences that’s a different part it’s
diverse it’s reoccurring motives and then we can put instruments to it we can put emotions to it
which is fantastic. Here is verse one of the song. I can put interest in it. I can read it
and change the emotion if I want to to fit the text better. These lyrics are then copyable
as an export. I can copy the lyrics in that structure and if I show you how it looks,
it looks like this so the song that you were talking about that you wanted to do that had
who is it is it um the one that was shown to us last class up on do you remember the one with the
american bill of rights i think oh thomas jefferson what thomas jefferson so this is what we can do
with Thomas Jefferson stuff, I can put it all in the proper section, and we can make a song out of
what he is saying. You can take all of this information, you can take the whole song,
and you can put it into your digital audio workshop.
Teresa says we can’t see the lyrics, Pete. Teresa.
Oh, okay. I’ll change the screen and I’ll show you the text. There you go, guys. Here’s just
the copy paste of the lyrics section that I was able to extract from that file. We can do that
with anyone. We can place that into your own operating system, or you can try the one that’s
built in the osos usos by magenta and audiocraft i don’t necessarily suggest it it is there it is
in place it is ready for something that is better than those music creators they are only samplers
at the moment and that’s open source so this the whole universal sounding operating system is free
i’m not making any money on it so can i can i ask as we’re considering all of this because
you’re i’m trying to see what you’re doing and you know kind of in the big picture of well this is a
museum space and the art that you’re exercising you know what is the magic that you’re doing
And I think what you’re doing for me, hey, is you’re bringing you’re bringing a very visual component to kind of the physics of the cosmos, the Orphic physics of the cosmos for me.
Yes. Right. Let me ask you this. That’s what that’s the that’s kind of where I’m coming from.
If I were a musician, what are you showing me that we can do musically?
So musically, what I’m doing is that I am placing all the tools a musician needs,
all the instrument theory, all the music theory in one location.
And it relates to all music theory.
I’m not just looking at American.
I’m not looking at modern I’m looking at the whole picture and if I have things that are missing
I can just add it to this and update the system and put it up for everyone to use again
as a musician I can build my skeleton my whole build my music skeleton I can understand the
the scale that’s should be used and i can hear it in real time as well the the reason why you
weren’t hearing it i think it was because i had my um my computer playing it instead of the i don’t
know what it is tri-state all the scales what did all my scales go to scale wheel
did you hear that this time yes this time very very quietly okay yeah you can play every scale
so it allows the musician to understand what they’re actually doing and not just randomly
being inspired and maybe putting a false note where it doesn’t really belong oh i should show
you this um before uh everything so it could be a music educator as well oh yes oh yes it tells you
the rhythm it tells you the prose it tells you the cadence it tells you everything that is needed
and tells you if you’re violating it so there’s an incomplete freedom it must be zero foreclosure
so i can just automatically fix it all that is wild that is wild i’m trying to think how now
to apply this you know as a linguist if i can feed in texts that are musical yes how can i you know
how can i use this magic that you’ve brought us with insanity this is complete painful this is
dangerous but it is so as a linguist it allows you to um dissect and see in real time
the combination of semantic um reality right it shows you what it means in one language it shows
you what it means in real time in another language and it allows you to copy paste
freely it doesn’t limit you like other digital audio workstations can do usually they’re all
front end anyways mine is very back and oriented meaning there’s a lot of theory there’s a lot of
physics there’s a lot of constraints that are based on uh music theory physics etc i’m repeating
myself but i think that this software is revolutionary i don’t i have not seen it
done in anywhere else and it is not something that uh should be contained and made money out of
because this is library educational non-profit it is the crux of our reality in our understanding
and if i place money on this it’s going to buy us it all that is amazing people who are watching now
to the gallery who was sitting there taking in this information is there anything you want to
ask pate put up any good questions pate can you watch the chat and i want you to monitor it i’m
going to do this too but i want you to monitor it for any questions that you think oh this is you
know so somebody says so it’s a library ai song export is that what’s going on yeah it’s a library
Yep, you can copy a post so that it’s not too far out of the character limitations, and you would be able to put that into your AI if you want to.
I’m not relying on AI. I don’t want to rely on AI because AI is pre-trained and indoctrinated.
the system unindoctrinates the ai that you’re going to use which you have access to choose
which one you want and oh i forgot the other thing i was going to say anyways let’s read
some more questions can i plug it into my neuro link yes you can also plug it into obsidian
it’s dot mds so it’s quite versatile it should be working on linux macintosh on your your phone
and on windows now there’s certain limitations to smaller applications like your phone you don’t get
access to the ai the program needs your your hardware to save the ai so that it’s not online
so it’s offline ai what else obscene is the throne of asl nice um it unlearns ai and then it
Does it configure it with long-term?
Yes, it’s trained.
So it’s post-trained.
And if it reverts back, which it can, to its pre-trained state,
you just prime it again, and it’ll reconfirm what’s going on.
But once you install the AI, if it’s an AI that you’re trying to go to,
it will be un-indoctrinated by those buttons that are beside.
You’re all part of the OG source.
That’s nice.
We are all one.
Yep, exactly.
We’re all in the same boat.
All rowing on the same oar.
Sometimes we go in circles.
I’m not sure.
Eventually this will be its own TLG.
Exactly.
So this will be able to connect to all the libraries that we have, all the sources that we have, and it will be able to dissect it and assess it without bias.
bias it has structures constraints that it’s respecting and it won’t violate those if it does
violate those it’ll tell you that it does here’s from slam builder i wonder if a tuner could be
added yes a tuner is is going to be added uh subatomic has already created a a mixer i think
or or something like that once he’s done his his beautiful holiday we’ll be looking into uh
side carting any mixer any um operating system that that relates to that oh oh my god can i just
say um first of all pate you make me feel stupid um but the the people who are who are watching
people who are assembled right now you also make me feel so dumb now listen that’s a good
thing though because i know like one of you said you know you’re not a programmer so you know this
is this is totally not your art um but pay this is what i think is important is that you have a
place and a purpose that has that goes beyond you know when when it comes to time you you necessity
pushes you in a way that um i can sit and admire just the art itself and i can say yes i’m trying
to get my mind on it i’m trying to get my mind around it and that’s amazing um that’s what the
museum is all about i would love pate to get um a couple of musicians with you yes to be able to
try to figure out what you know if it’s valid i just need validity you know yeah exactly
let’s work all together please any musician yeah that is very technically skilled that knows
their stuff um one or two maybe three uh that is willing to work with me um i’m more with more than
willing to to hear your advice your opinion corrections violations if you can’t probe my
system if you can’t tell me that this is right and this is wrong then i’m not doing my job right
nice now see that’s people that’s somebody that is in the academy you know what i mean that’s
somebody who is in the museum who’s plugged in like that that’s amazing pete that’s absolutely
amazing let me throw here’s what here’s what i want to do i want to because i feel so dumb
I want to throw up the Greek, right?
Because, look, people, put this in perspective, right?
We are bringing text that we’re looking at very rudiment,
just the rudiments we’re taking out of the ground of the literature.
We’re just pulling out.
We’re just harvesting it.
And those elements are the Orphic drive that I can see in what Pate’s doing
is just a visualization of a non-K.
I can say, oh, yeah, no, I can see how that’s coming right out of the language, you know.
So I think that’s amazing.
I don’t know how to describe that.
It’s some kind of divine step forward, you know, for us to all be able to get that in our heads.
And I think this is real important work.
This is, I don’t.
It’s real work.
Okay, I’m going to let you.
I’m going to shut up and I’m going to let you answer anybody else’s question
that wants to ask you questions and you tell me when you’re done pate and i’m then i’m going to
put up the text and translate we’re going to translate can we create music from prophecy
yes we can absolutely it’s it’s there prophecy is music please post the program yes i will post
the program but i need um chewy to be able to install it off of macintosh before before we can
she’s um close to being able to do all that we did hit a bottleneck but we’re circumventing
all of that as we speak um i just i miss i love music but i’m just unfortunately not gifted with
understanding it i can play instruments by side teaching but notes are like chinese language to
me and that’s okay because you have access to all the scales there and you’ll be able to hear your
song. Just pick a scale, focus on only one scale, and you can do a fundamental song.
You can see load P01 up here on the USOS. Click on that, it’ll load you a basic
build, a basic skeleton, and just have fun with that. If you want to work on your
lyrics, there’s a language corrector on it too. If you wanted to make it Greek,
it’ll be even easier because greek is beautiful oh i need to show you this i have to find it
it is in it is in the manifolds or is it under language language reality all the languages
sumerian i need to find my heat map constraint space no violation no power overlay constraint
i’m sorry guys i did post some up before i found it i found it heat map guys look samarian samarian
this is this is all the the language all the verbs all the nouns all those languages reduced
to a map samarian okay greek ah here’s greek here’s greek and there’s a few other things on
top of that what happened interesting this one’s greek this looks like chinese to me in this one
let’s find mandarin chinese mandarin there see mandarin has a lot more revealing nodes
and action nodes a lot of relate but no harmony it doesn’t really harmonize let’s check sanskrit
Sanskrit it looks a little bit like Greek doesn’t it Arabic what does Arabic
yeah it looks pretty similar it’s interesting that it looks similar you
wouldn’t think it would you think it would look like a Canadian look at the
Canadian has no harmony it has different volumes of binding and action and probe
how about Egyptian which is not the Aramaic it’s the the pictographs look at
that has a lot of reveal. Isn’t that interesting? We can place all the verbs, all the nouns that we
can collect from all the ancient texts, and we can place it all on Ananki and see where it lives
within her. And we can differentiate the languages from the other. We do that so we can understand
where the language is coming from we can do that to see if there’s a big difference between
languages i have to admit i did not put the quote unquote hebrew stuff in it yes i do have yahudah’s
work in this yahudah’s work is very good there’s more than just the hebrew is greek part he does
a lot of work for philosophers and and i would recommend for you to anyone everybody to read
those too it’s in the it’s in the pack it’s sent to you guys uh once it’s up like coming back to
the hebrew stuff i’m afraid to put it in i am terrified to put it in because i think it’s going
to ruin the system you’re gonna break the timeline again right i knew wretch would be here right wait
wait if i understand correctly we could find the ideal sympathetic magic analogs for anything
pick out the synthesis of the cosmos pay what’s your comment on that um i think it’s i think
you’re onto it hey oh and snappy too i’ll come back to you snappy where’s rich gretz if i
understand this correctly we could find the ideal sympathetic magic analogs exactly exactly figure
out the synthesia of the cosmos exactly we can understand what’s in sync we can understand what’s
not in sync we can understand what is um pulled out of someone’s fantasy to be um to not say
rude things at the moment um we are able to do all of that at a click of a button now
it is amazing uh let’s go back to snappy what did snappy say i agree alice666 this is mind-blowing
Okay. Snappy, Madalena. Oh, sorry. Microtones. Yes, there’s microtones. We have microtones in this. Absolutely. We have microtones. I don’t know. Did I miss something else? Okay, snappy. We can get this to use meter. Yes. And form. Yes. Like we give it to give it the info. Could it compose for us? A three ambas. Yes. Or other complex poetic forms. Exactly. Yes, it can. Because it’s all in there.
All the theory is in there. Of course, there are microtones. Yeah, there’s microtones. There’s nothing in this that I redacted or reduced. It is something that I’m trying not to bias or to misinform.
if there is caution it’s declared and reproducible so you guys can all take
this if you’re a genius coding genius you can take all of this information you
can reproduce it yourself this is not something that I possess this is the
information that is available for everyone placed in one area and yes I
can associate link up libraries at the moment we are planning to i’m planning to mirror the
soma library which means that i have to download all of the the large large library that we have
collected onto my spare hard drive and then i can link that up to the usos we can create
certain links and websites so that we can do that online um but i do like having my stuff offline
it’s like it’s a personal thing for you that you can keep protected snappy you’re saying we need
to put this on github yes it’s on github at the moment but it is under developmental
developer mode so it’s not fully public it’s just available for the the people that are
trying to build it up with me uh time machine it is a time machine well this this basically
allows us to be necromancers we can bring any voice back we can bring any song back
it’s it gives me oh my god oh my god hey any voice we can bring back wretch says the war case
magikai that we find in the pgm that music he says alone will improve magic practice
and we feed that music can we come on come on yeah i can even plug in the pgm into it i think
but it’ll be oh god we should do that it’ll bring the end of the fucking
it has a lot of semitic stuff in it though so i’m i’m very anxious about doing it if we can
just keep it acadian maybe we’ll be okay um i really don’t want to put the hebrew stuff in it
let the let the so for example like you could just feed it the m to selene or something that
uses forms that you and i may recognize as uh hebrew but they actually aren’t like satanael
yes people say that’s hebrew no no it’s actually not the the um sabaoth right the lord god sabaoth
you would think that that was greek but if you just if you just put it in there as as the greek
that we find in the pgm um can how could can we then analyze it and say where does this sit
yes on in a non-k and how does it um how do we then ratch what’s the next step how do we bring
this to uh fulfill our goals it’s the legion of doom come on ratch you can speak several
right pate you can pate will share the stage with ratch put him in ratch just get get off your butt
found a yahweh secret magic name sure oh i also put when i’m talking about samarian
i’ve got the book from um irvin finkel dr finkel um placed into it i have all the
the chicken uh chicken markings all the wedges i was going to show you this
ratch can you hear me excuse me for one second one second fate ratch can you hear me yes can
you guys hear me fantastic here’s what i want you to do i want you to sit and talk with paid about
this and we’ll just listen in like a bunch of you know voyeurs uh okay well look i there’s a lot i
don’t understand about this uh ai and everything but i mean well there’s i’d love to hear all kinds
of things turned into music or like the orphic hymns or these voces magica or however it’s
pronounced uh there’s it’s theoretically possible to create a musical spell to put yahweh back in
charters or you know we can use the because there’s musical elements through kabbalah to
hebrew even if it’s plagiarized that was projected on by plagiarizing greek philosophy that’s what
kabbalah is but so it’s all i mean it’s all plagiarized and twisted but we can uh you know
as madalena said uh we could we could re-greek the hebrew and and and figure it out and then
once we understand how they distorted the greek then we can understand the intentions of their
black magic and then we can counter it exactly and we don’t need to redact anything we can just
make it very clear that this is what’s happening this is what they’re saying this is what there is
and this is what uh similarities that there are there i don’t want to be lying to anyone i don’t
want to be hiding anything i want it all there for everybody to be able to see very clearly
um so uh there there’s a wide variety of books i could recommend on magical music theory from
like an author who’s a well-respected scholar named jocelyn godwin and uh he shows say like
i just posted a little while ago a book on the on the music of the seven vowels and the seven notes
and various theories about that that might expand the um the theory and the theory and
yeah the the options for customization of the music might expand the arm so now i’ve taken
In a lot of Sappho’s stuff, I’ve taken a lot of Plato’s stuff.
Usually all the Greek theory, the music theory, I believe is mostly there.
But if you do have that little extra little bit, like you’re saying,
I can place it in there and see if it’s already there and add to it.
There’s really nothing wrong with adding to this.
Very cool.
I’m curious to see what will happen if I put my own writings in there.
I’m kind of scared, though.
Well, what it can do is help you formulate the grammar.
I’m sure that you’ll see that certain magical terminologies are simply like short sentences versus long sentences, repetitions, unusual punctuations.
It’s nothing tremendously amazing.
it’s just stating that there’s certain violations to reality reality being an expectation of of what
happens within constraints okay so i mean it sounds like this underlying ideal musical grammar
is the self-similar image by which reality is a fractal is generated out of yes and that we can
thereby calculate the ideal image is by translating the music into mathematics and then graph it out
as an image perhaps yes exactly a visual representation plus all the uh coding that’s
necessary for you to be able to mathematically assess that’s incredible i was just almost like
giving you my kind of like wild fantasy and then you’re like yeah that’s what it does
yeah i mean i mean it’s based on the philosophy it’s all there it’s all there i didn’t make that
but i’m not making it up either right i can’t i just i’m amazed that this is possible
but yeah wow congratulations pete you did a great job it’s a long um group effort i’m not the only
one that’s been working on this and a lot of the information that you’re sharing too rich i’ve i’ve
assimilated i’ve i’ve comprehended i even made a song for you i think you remember that one
yeah you did yeah it’s it’s all about the uh the fractal spiral oh cool yeah
that’s i’m very flattered pate thank you thank you for for thinking of me you’re welcome any
other questions can you see oh look put this in uh-huh and what would you like from that now we
can do that off off screen uh off stream to um na we can take that copy uh i shut my program down
i’ll i’ll open up uh next time i’ve got that saved on my copy and a and then we’ll i’ll post it out
for you after we’re done oh look at that xander’s um putting the nine planets on there and and
doing the astrology on on our axioms fantastic will your program show if you pro if your prose
hits all the points on the manifold yeah exactly it will um it’ll show you that you have closure
it shows you that you’re prodding it shows you that you’re withdrawing you know if if someone
is creating a fear someone is stopping you or guilt tripping you from testing things out
You know from this circumvention, this constraint of Ananki, that they are defying her, and she’s not allowed to express reality.
You have to be able to probe, and you have to be able to withdraw the information that you see that it isn’t fitting.
So that is the first.
Go ahead.
Wow.
um so there’s all kinds of it it’s much more Abrahamic than pagan but it’s it’s got to be
bastardized and plagiarized like the rest of it but so if we consider that Yahweh confused the
languages from with the original Adamic language it’s called often or pre confusion of tongues
language uh it seems to be that music is and math is really that language and that they have
somehow confused things to hijack the magical potential of greek for their black magic and so
um i don’t know i wonder if somehow we can use this to reconstruct some kind of greek language
or greek uh mat ritual language that is not necessarily explicit in the text but is implied
all over the place or that somehow by comparing different languages we can find some kind of like
universal grammar according to noam chonsky’s theories or something that uh you know uses the
greek as the template i guess or or we take we assume that the greek is the most ideal language
and and then see what what we get is that does that any of that make sense or it makes sense
yes we can take any other language we can place it in there it can be even a pretend
it can be cling on right it doesn’t really matter
we just need to put the rosetta stone in there and be able to
translate it so yes it needs a grammar it needs a lexicon it needs a dictionary
um and please don’t please don’t use klingon please yeah
i can’t speak klingon by the way i don’t know it at all
i’m going i saw madelena had a quick question about the reading people i want to flash
uh pay and rat stay there i’m just going to take five minutes here and i want people to look at a
couple of the concepts that are in the opening of the bokai from the greek it is right here
and we oh did she go make coffee okay um people i want you to think as we’re looking at this
monstrosity of nature that is gorgeously beautiful the paint is constructed right and right in front
of your eyes it gives me a little bit of fear right a little bit of fear for what’s going on
um realize that we are talking about that elemental fire that carries the lightning
right that’s what is in the greek so i don’t know how to bring that out hate to the program
wretch as a magician figure out how to how to bridge these gaps but i want you to see
the profound the profound um elemental science that is in this passage right i’ve come as a
child of god right that is what people don’t read paisteos as a child of zeus
in their ear it is a child of the ethereal god okay you know where that ice there is
right oh fantastic hello madalena no no i’m just going to take five minutes to it because i want
us to continue um to see how that we can make this alive i have come as a child of god right
To the land of Thebes, I am Dionysus, whom the kore kadmu, the kore or korwa kadmu.
This is that great Korah.
What are we doing when we perform the rite, right?
Again, remember necessity, remember Ananke.
What do we do when we perform the rite?
We make visible the Korah.
We resurrect the Kora.
There’s a reason.
Maybe you can figure this out with the programming, right?
Through the music, we can figure this out.
This is the Kora, the daughter, the child,
the queen of the underworld is the Korwa.
Semele, Semele.
She is loheothes.
people this is to to give birth lochial discharge is the discharge of birth and this is what simile
does and then we have this little dative here with or by means of the lightning bearing fire
people right okay um wow what is that i changed i i changed my fire yeah yeah go ahead pay what
is the comment yeah what is lightning fire what what is that that being struck by lightning
emily in order to bring dionysus brings him must be struck by that lightning i change my form
says dionysus i changed my form from a god to a mortal form do you understand we’re introduced
to the lochial discharge of the god and that produces the divinity who takes on mortality
i’m right i’m sitting here by these fonts this water right dercy and asmini’s talking about
i see the name now you programmers people i see the monument i see the monument of my
mother caronia what is she she is that she is that one who’s born the child through the lightning
Now, Dionysus is looking at everything destroyed except for the little place where her father, Cadmus, made a memorial to her.
It’s a place that’s not absolutely untrodden.
I jumped from the lightning to the sanctuary, to the place where she was destroyed.
The birth of her child is her own destruction.
So I want you to realize the whole lightning birth that’s going on in this funny phrase.
In the third line, people, we need a program to be able to extract that
and tell us what the hell is going on because this is the very power of,
this is the magic that we’re all describing and looking at.
It’s sitting right there, sitting right there,
contained in this fox poros, people, right?
Is it her discharge?
I’m sorry, say that again.
Is it her discharge?
Yes.
Is it the discharge of Semele?
Yes, it’s the birthing discharge, right?
It’s the process.
You’re a starfighter?
Yeah, yeah, yeah.
What is the astropophoric, people?
Well, look, right, they’re going to give you flashing,
and that’s not going to be able to tell you anything, right?
It’s not going to be able to tell you anything
because you don’t know the way the cult is using.
These terms, watch.
When we go right to the, you can start with the nominal form, the onoma, the Greeks said, right?
But you’re only going to get so much, again, flashing of lightning, right?
Personified, the light of a lamp, the flashing of the eyes.
Does that sound familiar, right?
Okay, now watch, though.
This is really what’s going on.
What are we doing?
We’re hurling things, right?
Wait, what?
yes within the flashing of the lightning is the concept of the hurling that’s really what’s going
on to make something conspicuous to illuminate look at the bottom right what is that now you
know why zeus is zeus he hurls the lightning didn’t you think that this whole mystery was
centered like people say oh we’re introducing a new god we are but that god was already there
and creating a balance when you get this zeus who hurls the lightning you get typhon the
hypothonian typhon who fights for echidna right this is the sacred this is the sacred reality
that is behind what you and i see and people like pate are probing right coming up with
three-dimensional diagrams of exactly where a non-k borders reality and how this is genius
people i love it i love it there’s one more thing i wanted to say about euripides people you can
you can plot you can watch all the places that dionysus goes right you can look at the fact that
with Greeks, Greek speakers, and barbarians, right?
Right?
This is a big deal.
People will skip over it and say,
it doesn’t really matter.
It’s a geographical little, you know, hoo-ha venture.
No, this is the tuning.
We’re working between worlds.
One is using the Greek that has the music,
that physics that’s able to manipulate,
to do what Retsch wants to do.
He’s sitting there waiting to play it.
And we’re working in a world of people who do not have this capacity,
those of us with the languages that are bar, bar, bar, bar, bar, right?
What is the power of people?
We’re looking at the music.
I just want you to see.
This is the power of the daimon.
Do you understand?
This is the chorus.
If you don’t think this is musical because that daimon is musical, you have to realize Bacchus is here to set up his chorus.
All of these people, the Pentheuses, right?
All of the menads that are thrown in prison, that are taken a hold of, right?
An allulusa, right?
I hallelujah man get your thyrsus and let this thing show itself right why because we’re going
to celebrate simile okay people listen what I’m saying this is the mystery in the mother of
Dionysus. She explains the perfect balance of the mother and the one who hurls the lightning. And
people, that is somehow a picture, a graphic expression of reality. Okay, if you could
understand it, you’re not going to build a church out of it. You’re not going to go there and
worship. If you understand it, you could live every day in a state of mind that was working
on a different level than what you’ve worked before, and I’m sure this is why people said,
no, you’re born again when you go through the mystery, and they give you the drugs and put
you through the hoo-ha, you’re born again, and it changes the way you think. Okay, I’m going to stop
now and i want an analysis here using um ratch and hey just be be my good counsel tonight please
okay um can i start with with dionysus just the name why is there why is there a y
in the name it’s that’s an english interpretation that’s an english
projection. It’s due to the growth and transference of language. I tried to see
if Dionysus, the word, the name, we could find it in our original primary texts. And did you know
that it’s stolen? It’s gone. We don’t have access to it. It’s not in our parchments because the
parchments are not there and it’s only that section it’s so weird there are people that
have been able to talk about it and write write about it and I was able to find some of their
their works and I did place the poem the song into the assistant and I do have a translation
so it if i’ll try to read it here the user wants me to present the backyard prologue as
euripides would have sung it oh wait i’m having it sing this is the wrong conversation
uh let’s place it back here and i’ll just read it off um i see mother’s tomb dionysus i have come
xerxes son i get it xerxes not necessarily xerxes which brings me back to his name already so dio
right dio and nuces you gotta put it on presentation i have to present um well you
don’t have to no no go ahead go ahead you don’t have to just let’s hear the translation yeah
where’s my there so the translation the diet dino nooses is the place that he was born in
uh he was born in that place his he got married in that place and deal means in in from my from
the usos uh traveling means to go through or of or from sure it is uh future it is transferred to
Zeus and God and whatnot, but if you really look at it, Sappho talks about it too, and Dio or Dia
or D apostrophe O is also interpreted by Sappho as Za, so we hear terms like Zabatos or
or what Jesus is saying, but that’s Aeonian, that’s, that’s, is it Aeonian? What’s Sappho’s
um scale it’s her language there jesus is using her language to talk which is amazing he’s got an
eolian scent to his breath huh yeah is that right oh god love it oh god pay that gives me such a
such a good i’m gonna say nice things tonight and i’ll say bad words because i know your family’s
probably around i’ve got my earphones i’ll do you good then it gives me an intellectual boner
because that that’s fantastic and i’m wondering if you can trace the music then if you can like
you know i don’t know i’m just my mind is boggled and i’m trying to think of the potential
applications for what you’ve got going okay what else about the translation do you want to talk
about um i think i think really i really got stuck on the dionysus the the word dionysus and
dio of god are going through in the news as as as the place and then it goes it it touches a whole
bunch of of uh different perspectives but it’s always about trees it’s always about where he’s
been uh it’s about pressing these these trees the pharmaca is involved in this as well they’re very
well known for all of this um and i’ll go into back back into the uh translation anyways i have
come uh god’s son to this land of the thebans okay whom cadmus daughter simile all right once bore
when she was seized fire that carries lightning it doesn’t quite understand it either uh having
change my shape from god to immortal i stand here by dirke’s stream and isminous water i see my
mother’s tomb thunderstruck close by the house’s ruins of the halls i have to say that this is not
um it is not it hasn’t passed through grammar yet and it hasn’t passed through syntax yet this is
just raw ai interpretation yeah but i think i think it’s doing a marvelous job pate i mean
like with you with what you said above of the fire that contains that lightning yeah it it still is
you know i think literally it’s doing well as my if it were my student i would be giving it a decent
great i think that’s so far so good so it i’m marveling that it can do this at this level
fantastic keep going i’m still sad about it because i think that we can put more orphic
orphic understanding if we had if i had primed your books into this we’d have a deeper understanding
i just haven’t set it up perfectly yet um it is what it is next time okay let me say this
let me say this you mentioned the orphics and i’ll bring in the class as well um the lobe
classical library people if you can get access to the lobe classical library um they’re about to
come out this summer with a new with the new edition that is the orphic everything orphic
wow um and it’s a you know it’s a nice study tool if you dwell on the vocabulary you’re going to
start to pick up these ideas that are coming through the text like this the bearing of the
lightning when when it when as a magician can i invoke this magic when i expose the lightning and
And how do you expose the lightning?
By profaning the sacred.
As a magician, the act of profanation
is an act of attracting lightning.
So it’s like you know the reaction’s going to happen,
but you bring it on purpose.
That’s the kind of stuff that’s buried
in those words, in those songs of those texts.
If your program can help us to see that music,
Because obviously, you’re already pointed directly looking at the 10th muse.
At Sappho, for metrical reasons, you know, that are like the scaffolding of the universe or something.
I mean, it’s seriously blowing my mind.
Oh, God, people just, it’s amazing.
Hey, let me tell Madalena and Josh, I’m going to meet with you Monday.
Monday, we’re starting, and I want you on book 10 of the Odyssey.
i am going to send you the here i’m going to put it up right now some people don’t share wait let
me put this up it’s not that it’s not that um can you look at this so i gotta go ahead bring that up
pate give me a second here you screen share no oh uh pate on on share for a second i will
so i can share this there we go madelena i can’t wait josh i want you to get i want you to get this
here let me take it back to page one just go to this uh link here chewy will post it i think
um this is a grammar of the homeric dialect look monroe right fantastic back and when is this
1890 friggin one okay from oxford that’s nice um so i want you to look at this and i want you to
notice things like pate was talking about a couple of things i was gonna throw in i was gonna throw
in pate di gamma just because i love to do that but i want you to notice the length of time that
we have on meter on the basic poetry that me i mean i mean the music the basic music of homer
right this is all it people look at this look at the doubtful vowels did you know there are
doubtful vowels right and then we get to the digamma people think i’m making this up every
time um it there’s secrets here about the digamma that may help in translation if you could
introduce these concepts to the ai somehow um so it could digest this stuff um you get a basic
look people you get a basic description of what that digamma is doing it’s an invisible letter
right it’s affecting the music it’s affecting the gravity of the letters around it right it’s
affecting their music all right so look at here look at here people there’s a digamma here with
double kappa right do you see it kappa kappa equals kappa digamma right you don’t know this
stuff until you start reading homer and you realize oh shit right look at just look at this
section words with the initial digamma the former existence of the digamma and a given homeric word
may be inferred either from its appearance in some other dialect of greek or because we have
inscriptions people we’ve got inscriptions with the digamma in it all right you can just go to
those or where this kind of evidence fails from the corresponding forms in the cognate languages
watch this thus an original way cozy is supported by the forms we cut t and way cut t on dork and
be ocean inscriptions by the laconia and bay cut t look what’s happening to the digamma people
right you’re getting the laconia and beta right how are we finding this out through zekias and
again by latin we ginty did you wonder where the v comes from which is actually a u why is it a u
because it’s the upsilon you mean latin is coming from greek you mean the sound yes the formation
of the sounds are coming from their colonizing neighboring cultures that are using the greek
and people will say oh it’s indo-european in the sanskrit up your butt an original
wesperos people look at the wesperos the i’m telling you everybody i’m telling you the new
revolution is the grim brothers were stupid they were stupid and they gave us stupid ideas there
is no indo-european knock it the fuck off wesperos just look at the languages rationally with with
with reason and with these goddamn ai’s take the languages apart and you’ll see when pate says
i’m going to put greek in there you can put other languages like mandarin put it next to it and see
what happens do that analyze right look at this people west sparrows there’s your diagram west
sparrows by the form west sparrion on a locrian those fucking locrians as well as by latin
vesper in classical latin it’s vesper that’s why you pronounce the u or the v in latin as a w
vesper it’s because that’s how the digamma is pronounced we dane right void we dane to see
we dane what do you think it is in latin we dale and from that those goddamn grim brothers i’m not
kidding you make up a fake fucking ancestor and say oh they’re all coming from the same thing
no they’re not woida to know woida right i know woida right people i want you to notice
these have digamas which what’s the big deal about the digama that is a mycenaean letter
it’s a mycenaean form that you’re not going to ever see in your text but it will be there
there are invisible music forms to the language right look at and then they get down to video
right and they’re telling you where they all right fantastic okay can i can i say something
go ahead madeline i just wanted to say um you just proved the superiority of mother creek
I’ve been waiting to see some of that information.
Yeah, it’s scary.
It’s scary because the deeper you get into it, the more you realize, oh, then we can actually do things.
We can take this.
We can take the superiority that Madelaine is identifying in the language.
We can take that and exploit it, expand it, bring it out, show people.
this is this is the kind of thing you’re doing madalena when you’re entering these great
reading courses and everybody’s want is going to want to start you in the in homer for a very good
reason like a scientific reason not a not an ideological reason so yeah i love it i love it
beautiful i love that can you get this text oh i already downloaded it oh god you’re fantastic
you too josh look at this one guys look at this one greek you greek people right what is the greek
entry at the top onox that’s how you’re going to see it in the lexicon right and in parentheses
They’ve got anasa, which looks like a feminine form, with a double sigma.
Very, very important.
It is a Mycenaean thing.
It’s Mycenaean Greek we’re talking about.
And then anasane.
Anasane.
There we have a nice verbal form.
Now watch this.
The words of this group occur in Homer about 300 times.
Right?
Now, this person is counting it, right?
There’s no computers.
It’s fucking 1890.
They’re sitting there counting the number of times.
We can glean all of this data.
Can’t you glean this data a whole lot quicker than sitting down and going line by line?
He would have been sore.
He would be bleeding, you know, trying to write everything down.
He’d have blisters on his fingers.
This is insane.
This is intense.
Yeah, 300 times, and in about 80 instances, they’re preceded, look how observant he is,
by a final short vowel, which would ordinarily be alighted.
So wait a minute, you mean the digamma is doing something to the gravity of the words around it?
Look, it’s normally alighted, but the digamma interferes, and it’s not.
This calculation does not include the phrase iffy and nasen.
So look, they didn’t align anything to make it iffy-nasen, to make it flow together.
Right?
Oh, nothing is gone.
That iffy is a Mycenaean intensifier.
How do we know we have the name Medea in Mycenaean Greek?
Because we have written out iffy-medea.
so we have if he medea if he’s just an intensifier though it’s like an extra portion of whatever
that’s following right so it’s medea on steroids right that’s what it is so this calculation does
not include that phrase when for some reason we don’t have the elision or the numerous examples
of hiatus after the date of singular in iota and the genitives in oil and look people
there are different Homeric genitives look at the oil people it’s not ooh it’s
oil why the music is just slightly changed remember I said the vowels are
changing or tuning everything right the honest saw is that leader people you do
you know why I say med day wanna saw because the diagramma is there you don’t
perceive it, but it is there. It’s the music. The mede vanasa is the correct musical form.
Now you know why they’re sitting here with the meter, and they have page after page after page
of the meter. And this person even debates, should I learn meter by memorizing the rules?
Because there are rules to it, right? It’s logical. So there are rules to the music of the words.
Should I memorize the rules, or should I just memorize every fucking word, right?
That’s the debate.
What is more productive?
There are so many exceptions to the rules of meter that it’s a little bit fruitless for you to memorize the rules.
So in my intensive course, when I sit there and I tell people, do not focus on the accents.
Don’t, right?
um it’s because really you can’t at this point right really you can’t oh god i love it pate
um where are we in terms of um what can you do with your tech and your frankensteinish monstrosity
well um okay what can we do here for the language for mother greek can we push things forward
somehow? Okay, so when it comes to this book, I can take an image copier. It’s called the Tesseract.
I’ve done that for the Brills already. I had to take all of the Brills pages, put them into an
image, and then assess it properly, and then place it onto the USOS. So this is doable. I can take
this book that you’re showing me, I can place it into a digital form, and I can make it so that
It’s text ready, and I can have it prime the AI.
But I can also hard bake it into the system
so that it does go through that principle.
My developer AI will extract all the necessary information
and build a grammar JSON out of that.
and we can use that to either automatically assess it or push a button which will pop up the
the how i’m not i’m trying to find the name of this book anyways it’ll pop that the principles
of that book uh grammar book and um show us what’s in front of us okay okay okay i think i understand
I think I understand if that will somehow help the AI to appreciate the music of the language,
to make like a breakthrough. I think we have to make a breakthrough. Hesperos is here, right?
Notice it says hiatus occurs in six places after the prepositions poti and epi, right? There are no
instances against the digamma here. Hesperos, but wait a minute, you say it’s got a rough
breathing on it this is what i want the ai to be able to do it’s got a rough breathing on it though
people which means what it’s aspirated it’s got an h sound on it did you know which everybody
knows it takes greek now right that that h sound is not expressed you don’t see it it’s not on the
word we have to put a little hash mark above the letter above the epsilon to indicate that it’s
there, right? They don’t do this when they read it themselves. So they know there is an H on that
epsilon, and that H is not an H. It’s not even just an aspirated puff. It is a digamma. Digamma
is a part of a root. If you don’t understand that there’s an invisible digamma there, you don’t know
what the root is all right so this is this is um if the ai can learn this kind of stuff
that’s what’s really you know it’ll be easy for the ai to learn this yeah oh here here paid this
is what i’m talking about and the great things now the great claims look at this east ify ifia
and enos these words with the derived proper names if the anasa do you see the if the anasa
there is our digamified one ox or one asa with that intensifier if he right in front of it
okay so isn’t that amazing that’s the power that’s the power if he wanna saw right it’s there
You don’t see it, but it’s there, and it’s affecting.
You hear the pause between the two vowels, ifi and anasa.
You hear how there’s a pause?
In that pause is a letter that will change the root itself.
In other words, if you don’t know this, if you don’t know the music, you don’t know the meaning, the magic meaning.
Ifi, anasa has that pause, that gap.
That’s why it’s med-de-wana-sa, right?
Oh, God.
It’s absolutely gorgeous.
All right, here’s your aeolic, by the way, people, right?
Right, we’re talking Homer.
We’re going to talk about aeolic.
We’re going to talk about Ionian a little bit
because Homer’s going to use some of those forms as well, right?
It’s really a blend.
Homer is a blend.
It’s kind of like a music, and that’s why I get so excited
when pate brings up sappho because she is the inventor of of a metric can you believe this
have you you think oh my god you know i make music and i spend a lot of time and i write music and i
produce music and i sell these albums and boom right um have you ever made a musical form have
you that’s why i asked that the other night have you ever created right a new scale have you ever
discovered an invisible scale hiding behind the scale and bring it out what a meter sapphic meter
what is sapphic meter have you have you made your own you know what i mean this is like this stuff
to a dumb guy like me is is you know it’s mind-boggling i want you to get this book please
um yeah we’ll post the we’ll post the link again but here’s the title page folks so you can get it
and pay this is the grammar of the homeric dialects by monroe m-o-n-r-o yeah it’s uh i
forget the website that does it there but it’s chewy is posting at archive.org right oh i get
my information from okay good yeah it’s a it’s all three right isn’t it nice that they were
good people and decided to just you know they’re amazing exactly they’re they have the right heart
definitely okay i think i’m shot for tonight people and my brain is gonna have to calm down
because i’m gonna have to go and kind of try to digest what pate gave me um people in the future
in the workshop this um i want people the pates out there i want them to be able to come forward
and do their art okay so this will be integrated into these workshops okay
next time I’m going to start out now I’m showing you those triplets the searches
with three terms that are found in the same you know that are that are related
to each other it’s basically all I’m doing is I’m bringing out I it’s like
ideas that are in the text that you don’t see but you can see laid out in
front of you with this search right you can show it’s like an you know it’s a
little tiny bit like what paid stewing but on a not so grand level with
requiring such intelligence to do the job you know what I mean so everybody
who came tonight thank you I need advisors wretch in the ruin of the last
discord. It was not my discord, but belonged to others. We lost numerous souls. If there’s any
way possible, Wretch, let’s bring them back. I’m putting you in charge of that, sir. And there’s
lots of people that I would like to see back involved in this now that I’ve got control.
Everybody, thank you for coming. The discussion will continue in the room, the meeting room.
the voice channel, and then Chewy says we’ll end it for the night.
I want to keep these comments, too.
I’m so glad that we’re going to put this series onto YouTube
because I want people to see the comments.
Right?
I’m totally humbled by you people.
Satanic congregation is smart as hell,
and it makes me humbled and honored to be able to work with you.
josh and madelena we’re going to start next week and uh get ready for a lot of reading you both
have the lobes and go to book 10 find cersei where the name cersei appears i want you to read
the line above it and the line below it do you understand me using the lobe do not look do not
i am teaching you a method of um packing vocabulary okay i’m teaching a method of packing
vocabulary do not use the lexicon okay okay fantastic fantastic i love it okay all right
we’ll see you guys up what time madeline ate my time ate your time yeah ate my time sounds good
and um no this will not walk upon our workshop time so i’ll have the workshop at seven and
then eight um can we say 8 30 madelaine yeah we can do that okay 8 30 fantastic we’ll see
that gives us a little bit of cushion and we don’t have to feel rushed when we’re in workshop
that way awesome fantastic fantastic uh yeah all right fantastic people i’m gonna go explode
and um thank you for coming and hail satan hail satan
Source: Lady Babylon