Descriptions:
Video Description
This study opens inside Revelation 13, on the image of someone like a Son of Man. Ammon Hillman zooms in on one detail. The figure is girdled around the mastoi (μαστοί), the breasts, in a golden sash. Hillman reports that the ancient grammarians and Victorian lexicographers understood the word as feminine: to describe a man, the writers would need a different marker. His claim is that the early Jesus is pictured wearing a gold band around the breasts, with hair like white wool. The image, he says, originally belonged to a goddess.
That goddess is Lamia, a Libyan queen. According to the old sources, Lamia lay with Zeus and lost her children to the jealousy of Hera. Afterward she pulled out her own eyes and wandered the world hunting young boys, drinking their blood and eating their flesh. Hillman reads this alongside Dio Chrysostom, who described the people of Libya with the face of a woman, glowing skin, and a lower body that ends in a serpent. In Aristophanes’ play The Frogs, he points out, the lamia appears with a shining face and feet of bronze, the very details Revelation gives the risen figure.
From there the study moves to the cross. Hillman asks what Jesus says before he dies. In his reading, the cry of thirst is the invocation of Lamia, the blood-drinking goddess the early Christians had rebranded. He argues the text still holds her fingerprints in the white wig, the gold band, and the bronze feet. His larger claim, reported here rather than endorsed, is that the so-called mark of the beast is the seal of this older sister-goddess, and that she is the real face underneath the apocalypse.
Full Video Transcript
Today it is my distinct underworld privilege to bring to you Lamia, to bring to you Jesus,
the cross-dressing vampire who sucks the blood of boys so here we go with the imagery i won’t
waste your time we’re going to turn tonight right to the beginning of the apocalypse and we’re going
to look at a little bit of greek we’re going to translate a little bit just run along fluidly
because i need to run you to the image here we are being faithful to the image of the son of man
We must maintain the integrity of that image. Let me show you that image. Verse 13, in the middle
of these lampstands is the image of someone like the Son of Man dressed all the way to his feet
and zoned on up, kink shirt on up, joined on up on his mastoi, on his breasts, around his breasts.
he is girding the king james will translate gird yeah gird up your breasts ladies um we’re using
support material remember i’m transporting you to a place where the goddess is is the model is the
original so don’t let it surprise you that jesus is cross-dressing in this passage he’s wearing a
bra, and it says it’s tois mastois. We talked about that previously, so I won’t beat the point
into the ground, but when you check the Victorians, you get in your ship, and you fly back to the
Victorians at Oxford, and you say, hey, gentlemen, right, what are these mastois here? Well, the
grammarians from antiquity say the victorians they tell us that these are feminine breasts
that this would have to be mods have to have the data in there in order for it to be men
you know are there examples where they flip back and forth sure and here’s the problem this is the
big one that they hold up because the victorians could not imagine a world where jesus would be
walking around with feminine breasts yes they couldn’t imagine the world where jesus had breasts
doesn’t that say a lot why can none of us imagine a world where jesus has breasts and is wearing a
very nice a very nice bra that the text is very specific is holding up is it’s it’s parry it’s
around them it’s structured support it’s underwire from antiquity and it’s a golden bra it’s a golden
bra that’s important fashion is a big thing right and we know that there are different colors and
materials associated with these priesthoods that are involved in the mysteries right sometimes
they’re labeled by their colors yeah so they use the gold here is quite quite important and not
only that it says you know perhaps he’s got good taste yeah hey the kefala i’ll do his head his
hair is three case they’re white they’re not blonde they’re white his lady hair is white do
Do you get the feeling?
I know I rocketed us into that text tonight,
but do you get the feeling that something’s wrong?
Do you get a little nausea, a little bit sensation?
Wait a minute.
That nausea you’re feeling is because this work is written
by a Sybil and restructured with very obvious little,
oh, and that person that that was talking about is Jesus.
Little inserts.
Yeah, they called the early Christian Sybilists
for a reason, right? Sibyllus, who is the daughter? Who is the daughter? It’s Herophilus,
that Sibyl, who is the daughter of Delamia. Delamia. Hang on. We’re almost there to her.
I’m showing you. Vampire Jesus, who sucks the blood of little boys. Vampire Jesus,
who sucks the blood of little boys. There we go. What’s after his white wig? Verse 15.
this feat looks like calcolibanos is a is a is a word that’s just two words slammed together one
of them’s bronze it’s where we get the calc root and the other word is is used um for incense
you know the problem the problem is we don’t have a lot of references to these two words being
smashed together so it really should mean literally bronze incense you mean his his feet
his bottom of his legs are like bronze incense wow that’s kind of strange so um we translated
this not we but you know the king and his men translated this as um bronze in reflection or
bronze in color right brazen his bronzed feet why does jesus have bronze feet white wig and
lingerie because he’s got that phony that voice which is the voice who dot on polon the voice
of many waters, the voice of many waters. What better Sybil than she who is the granddaughter
of Ocean, Herophila, the great daughter of Lamia. Why would you bring up Lamia here? Who’s Lamia?
Lamia is a Libyan queen. Lamia is a Libyan queen. And Lamia, in her intercourse with Zeus,
sacrifices her children. Yeah. Yeah. She has to. To the jealousy, to the jealousy of Hera. Yeah.
Those children are lost, taken away from her. So imagine Lamia, who is the mother who pulls out
her own eyes. Yeah. And what does she do after that? She prowls the world looking for young boys.
yeah looking for young boys you know me cersei you know i showed you cersei i showed you and
you showed yourself you revealed yourself yes cersei drinks the blood oh yeah let’s take a
look at lamia shall we let’s go to libya let’s get in our ship and go to libya and really what
we’re doing for those of you who are asking why are we on this field trip because here we’re going
to take a look away from the garden where Jesus is arrested with that naked boy, and we’re going
to look at the cross, and we’re going to say, okay, this is all part of the same crime scene,
right? So what is he doing there? What is he saying? We can get his blood. We can do all
sorts of things, but what do we have record-wise? We’ve got records of his speech. So what is he
saying before he’s dying and maybe we can solve the idea of why does he die prematurely right
people don’t realize everybody in the world will tell you jesus christ was crucified he died by
crucifixion he didn’t die by crucifixion that’s what the roman guards noticed centurion that dude’s
already dead he’s not supposed to be dead yet nobody else is dead it’s been hasn’t been enough
time you know they were engineers right they knew exactly how to engineer the the stage of death
and they did and jesus is there but he dies early and they’re like oh don’t have to bust him up so
he can’t breathe hold himself up and breathe anymore he’s already dead he’s already dead
what did he say right before he died what did he say let’s go to libya to find out let’s go
go to Libya to find out because this dude’s in deep. Let’s go to the first passage that we have
tonight. This is from Dio, Dio Goldenmouth. Yep, just go ahead and leave that up. Dio Goldenmouth.
This is late first, early second in that range. That’s when he’s writing, doing his thing.
Yeah, and he tells us about Libya. The general character and appearance of their body were as
follows. The face was that of a woman. Now he says a brief woman, right? And that translation
is no good because this is a woman in her prime. This is her, she who’s at her acme. She who is at
her acme is how their appearance is. This is a group of people in Libya. Yeah. The breast and
bosom and the neck too were extremely beautiful the like of which no mortal maid or bride in the
bloom of youth could claim isn’t that nice nobody can claim this these people were gorgeous okay
nor sculptor nor painter will ever be able to reproduce yeah let those of you who have ears
here here yeah the complexion was of dazzling brightness now this one this one also falls a
little short i i did the greek to make sure and um it’s a it’s it’s a light emanating from
her skin the the face as she looks at you emanates light we’ve only seen this um in one other group
and that is the group from Georgia. It turns out that’s how you know a daughter of E.E.T.’s
is that her skin glows. That’s why we call her, one of the reasons we call her the granddaughter
of the sun. She glows. Interesting. Libyans. Beautiful. The glance of the eyes aroused
affection and yearning in the souls of all that beheld that’s interesting um sort of uh she’s got
a henry canville thing going yes chewy don’t look like that you know what i’m talking about
the rest of the body was hard and protected by scales and all the lower part was snake
ending in the snake’s baleful head now the story does not say that these animals were winged like
the sphinxes nor that they like them spoke or made any sound whatever except a hissing noise
that’s the hissing of the pipe it’s the same word to express it right when you’re talking to angels
you don’t hear you don’t hear what you think what has been portrayed to you in a fairy tale
yeah it says in the text that you hear the sound of an instrument everybody’s like what
his voice is like a trumpet what and they don’t understand it because we’ve lost the context
scales and what do they do what do these lamei do these lamei go out and they hunt
they hunt after young boys whose blood they suck whose blood they suck and whose flesh they eat
it is all in the blood and in the body. What do these lamiae look like? What do they look like?
Please, let’s go to set our time ship for Aristophanes, Athenian comedian, young guy.
Well, you know, he’s writing. He’s pretty young when he’s successful, highly successful,
right? And here he is. What is he writing? He’s identifying. This is from the frogs.
aristophanes play where dionysus get that off of there for a minute let me explain context i’m
terribly they shouldn’t have done that it’s the frogs and he’s explaining it um dionysus and
xanthius are going to the underworld they’re making their trip their katavasis if you if you
want to but they’re making their trips the underworld and then coming back and they’re
going to bring back with them Euripides. Isn’t that funny? They’re going to bring back with
them Euripides. But they run into, on the way, chorus of initiates. They look for Heracles.
Heracles, yes. And remember, this is the same stage where we took, in Greece, where we took
that Bacchic religious procession and funneled it into the stage, right there in the stage.
So that thing could be performed in front of you.
So when Aristophanes steps up there,
he’s not stepping up there as a Warner Brothers guy, right?
He’s not working for Disney.
He’s working for the muse.
This is a sacred act.
This is a sacred act.
So everything must be jaunt on.
If we’re going to bring back Lamia
so that Jesus can sit on the cross and scream,
the one from the one from the son from the liminal earth the one to bring back from the dead the
great queen yeah if we’re going to invoke her like jesus did on the cross then we’re gonna have to
understand who she is we have a very beautiful just very brief little description in aristophanes
frogs. Let’s bring that up again. Oh, isn’t this nice? We’re defining who she is. She is the
impusa, right? That’s the lamia. Isn’t that beautiful? Yeah, she sits there and shines.
yeah with fire shines puri by means of a fire in her completely what shines her entire face
her look the way she looks at you her pros ops you know what an ops is that’s this
only as i’m looking at you when you look at me we make eye contact my ops is being received
right you’re taking in my ops well hers is entirely shining it has light and let’s go
back to the passage what else what else is about her um can you take that but there we go well
look at this she has the bronze feet too look at that dionysus thank you very much what are you
doing lamia what are you doing queen of libya you’re doing the mystery you’re doing the mystery
yeah and there you are of course you’re going to be dressed in your you’re going to have your
mastice girded up you’re going to have them held back right in place you’re ready to go
with your white wig yep you gotta have the white wig how do we know that we’ve resurrecting
Euripides, and Euripides brings us Pentheus with his white wig and his new vision. In order to make
it, in order to reach that death and resurrection mystery, you have to be wearing your women’s kit.
Remember, this is an ancient religion that is created by women, women who are not sitting at
home, but women who were experimenting with pharmaceuticals, women who were delivering
babies, right? Women who were stopping other women from bleeding to death. This is that type of woman.
So when Jesus finds himself on the cross, you and I follow the fairy tale, and we say,
this is a translation of some Hebrew. No, it’s not. There isn’t any Hebrew going around
in the first century. Yeah, this is a Christos. That is a Greek concept. I was telling my class
last Saturday of the superiority of ancient Greek and why it is that we have the expression,
well, it’s Greek to me, right? And not, why don’t we say that about every other language? And why
did the Romans say that about Greek? There’s a reason for that. There’s a scientific reason for
that and it’s my job to push those students into the place that they can absorb that they can see
the superior functioning of the language and they can benefit from it they can how do they do that
by the translation so when we have a text like the apocalypse and john is writing about a very
specific woman called the morning star yeah when he’s writing about her and has to insert jesus
he just freely does so does it bother him that she is wearing feminine garb no john writes it
right he leaves it in because she’s the morning star and we all know what the morning star does
we all know her yeah we all know her we know she drinks the blood of young boys we know that she
does is jesus in invoking lamia from the cross screaming about how thirsty he is if he invokes
the goddess herself of this history past that comes through libya and georgia which are somehow
connected, thanks to the Scythians, right? Love it, right? Here she is. If he is invoking this riot,
it would give him a reason to be arrested in a public park at 4 a.m. with a naked boy.
What was that bandage doing? Yeah, what was that bandage doing? By the way, for those of you who
want to make Jesus’s bandages underwear, there’s a tendency for translators to do that.
um yeah you know that you’re wrong you know there’s no word there for what soldiers and
hunters anybody else who’s girding up their loins puts on kid doesn’t have it he’s gumnos
but he does have a bandage with him that we know these bandages are impregnated with drugs
and does he have a bandage because his lamey invoking boy blood-sucking vampire god
is with them in the garden. Yeah. Yeah. I think we’re getting closer. I think we’re getting closer
to seeing. In order to see Jesus, you have to see Lamia. You have to see Lamia. There’s a reason
that they’re described the way they are. The language is a fingerprint. It preserves the
crime scene, preserves the evidence that we need. It’s like the amber that preserves the mosquito.
So we have the old DNA from 40 million years ago. Yeah. Nice. For those of you I’m providing,
thank you for coming tonight. I’m hoping that you are seeing that you are seeing that point in
history for what it is. We should be able to see that now in the present should be able to bring
that past and then that future together the daughter of lamia is the sybil herophily
that’s what everything is about that’s why we early christians call ourselves sybilists right
that’s why we don’t care when the romans um call us sybilists john is preserving those
sibling works you know those sibling visions beautiful um next saturday i’ll be having the
class again in the morning that time is set but i want to announce that tomorrow about nine at
nine a.m mountain standard i will be opening the dojo for people to come in and to work out
because i want this class that’s proceeding to be the best of the best and so i have to work
with them oops i have to work with them um to to really exercise right to really exercise so
i’m providing that time for you and if you can come great if you can’t fine it’ll be in the
dough it’ll be on the discord and every time that we start this program again we repost the discord
so anybody who wants to show up can do that um anybody from the class who wants to come tomorrow
at nine o’clock please show up we’ll drill we’ll work out we’ll get exercised and um i appreciate
your i appreciate your diligence um yeah yeah i think we’re going to stop there tonight and i want
you to thank those of you who will be coming to our special valentine’s show which will be next
next friday next friday when you come to the valentine’s show please those of you who come
who have the strength to be considered sons of heracles yeah to put on the ivy you know to put
on the dress you know to put on the woman’s kit those of you who have that courage to stand for
the image that we are bringing right if we want to i mean come on what are we all doing here right
we’re trying to expose we’re trying to bring this investigation to a conclusion right we don’t want
to be here forever none of us wants to join a cult none of us wants to become you know um known in
the future for our associations as a cult right we want to see the reality we want to bring that
to the world and that’s what we’re here that’s what we are here doing those of us who are dressing
out great it should be a lot of fun it should be a lot of fun and i hope that everybody is
comfortable this will all be on above the board just a group of men discussing
themselves and history and wearing the kit of lady babylon have a good evening show me the girl i
never met i wanted so bad where is that golden palace is that horse called destiny i think she ran
Source: Lady Babylon