GreekWorkshop Part 4 – Nemesis and Moira

GreekWorkshop Part 4 – Nemesis and Moira

Turn Off Light
More
Add To Playlist Watch Later
Report

Report


Author Avatar

Jason Roxz

Joined: May 2025

Descriptions:

Video Description

This workshop follows Ammon Hillman and his readers through a live search of the Greek text database, and the hunt is for Satan. The group starts with satana and satanael rather than the single English word, because the name keeps shapeshifting. In the Septuagint the line reads kai egeiren kurios satan, and the verb egeiro (ἐγείρω), to raise up, is the same one used of waking the dead, so the hour asks what resurrection looked like inside Greek before it became a doctrine.

The readers then trace where the name comes from. Satanael is made the same way as Israel, with the el ending attached, and the episode returns to the claim that Hebrew is built out of Greek rather than the other way around. A passage from Yehudah is read through that lens: the language has no root of its own, only Greek models, and the Letter of Aristeas is called the invention that tried to make the Septuagint look like a translation. The same search pulls in the Acts of John, the Gospel of Bartholomew, and the Testaments of the Twelve Patriarchs as places where the archon named Satan appears.

From the devil the lesson moves to justice and fate. Nemesis is traced to the verb nemo (νέμω), to divide or distribute, which in Homer governs food, drink, and honor, and moira (μοῖρα), fate, is what gets distributed. The place where this ruling power belongs is tartarouchos (ταρταροῦχος), controller of Tartarus, a word the hour ties to the hypochthonian dimension beneath the earth. The closing point is that these are not separate ideas: the one who deals out what is due, the one who rules beneath, and the god called Satan sit together inside the same Greek vocabulary.

Full Video Transcript

Alright, welcome back. Let’s see if we can get this workshop off the ground.
I have some things to dig for tonight, and I’m going to be digging with you along for the ride.
And this is real digging, people, so this is not craft or pre-planned fantastic.
this is only following the research so that’s what we’re going to be doing i want to ask a
couple of people who are my readers brian is going to be coming a little bit um madelena are you
there go ahead hey hey how’s it going how are you doing with your reading what i want to ask you
is what you’ve been reading and i’m going to ask a couple of people this telling people of course
go out and read things in translation you should bombard yourself with ancient greek authors
right in english reading them tell me madalena what have you been reading lately in the last
you know few weeks okay so i’ve been reading a lot of stuff all over the place um today i was
reading iphigenia um euripides at uh taurus and uh um okay yesterday and the last just stop right
there no no no you just you can’t hit such a peak right off the bat who cares about the other stuff
okay iphigenia and taurus right oh god is this a sexy play or what yeah it’s absurd
other conversation is so funny i don’t know the translation the translation i was reading is not
that fantastic but i still could um appreciate it you know good now tell me something um that’s a
great point the translations people that you’d be reading in english as you were you know you’re
working on your greek you’re getting faster faster faster stronger stronger stronger you know what
i mean and here you go you run into euripides oh god and here’s this play about a it’s really about
a woman in my opinion it’s about if it’s ania herself and how she rescues her brother but in
the meantime you know that’s beginning and end in the meantime it’s about her priesthood and
some of the things that they talk about the purple is in the beginning um there’s all sorts of
gorgeousness and the person of iphigenia is incredible uh did anything stick out to you
as you were reading it i the the ending was kind of muddied to me so i didn’t really understand
what was going on but i i i really i don’t know i i’m kind of um curious i’m going to interrupt
you madeline for people who don’t know um iphigenia is a priestess whose job for artemis
is to kill foreigners
who have the ill fortune
to wash up on the shore
of where they are,
where they are preparing the purple.
So, and so she is this incredibly,
you know, it’s her job to kill people.
It’s amazing.
Yes, the huntress.
Wow.
Yeah, sorry, Madalena, go ahead.
she’s powerful she’s very always like respectful of the gods and then there’s also a lot of music
in it too or like i noticed there’s lots of uh references to music and stuff so i was tracking
that you’re gonna love the more you read the more that music is gonna come through and you’re gonna
be like wow it’s such an integral part of everything okay listen people what madalena
has been reading. Fantastic. Madelaine, I want you to hang out up here. I’ll leave you on
so that I can jump to you at a moment’s notice. And Ion, are you around, Ion? Let’s see. Bring
him up. Ion, how are you? He’s out. Is he out? No, Mike. Oh, Ion, we can’t hear you.
See, he’s on the, did you go to the toilet or something, Ion?
Okay.
Oh, no, here, bring him back.
Fantastic.
Anyway, let’s go forward.
Pull up Ion, and I want to hear a little bit about his work when Brian gets here.
Right, Iphigenia is amazing, says Bob Starr.
Yeah, thank you, Bob Starr.
I think you’re right.
I think it’s one of his greatest works.
But that’s just my, I think next to the Bacchae.
But by the way, Madelaine, you read the Bacchae in English, correct?
Yeah, I read the Bacchae.
What are your, any take home, just like one sentence take home on the Bacchae?
Bacchae is feral.
But it’s also like reflective of a lot of inner workings.
I don’t know.
Bacchae was an initiation in itself, you know.
Yeah. Yeah, precisely. Precisely. There’s something at work. And it’s his greatest play. And I’m not the one who said that. It was, you know, everybody else in antiquity that said it.
So his most powerfully impactful play. And, you know, we don’t see the effects of what it had on society because they’re using the theater as a religious space to purge themselves.
keep things like tyrants out, keep themselves, you know, keep themselves so they’re not killing and
raping and doing terrible stuff. Now, up on the Black Sea, where the cult of Artemis keeps control
of the population, right? Because that’s what it is. It’s control. Here is this woman whose job is
to to execute families sailors mostly sailors you know what i mean i don’t know it’s a quite a it’s
quite a drastic change um but notice people notice these are both greek cults that we’re talking
about cults of bacchus and cults of artemis or diana right which is spread all over the
mediterranean you don’t understand how these places are working you don’t just don’t that’s
gorgeous okay did we get ion thank you madeline did we get ion back yeah i’m here fantastic were
you out watering plants ion no no mike troubles but yeah good guess all right fantastic thank you
for coming ion have you been working on anything in english i’ve i’m always telling everybody to
once you’ve got the basic course bombard yourself with greek sources that are in english and we just
heard madelaine talk about translation some of these are gonna suck ass and they’re gonna be
like you know early 1900s translations of these things you know so just tell me a little bit you
know or in your spare time are you reading anything classical the last thing i was reading was
probably Oedipus. And what are your impressions of Oedipus? This is Sophocles, right? We love
Sophocles. Well, very interesting because he blames his father’s death on Lacedace.
Isn’t that awesome? The problem is widespread. These fucking pirates, sons of bitches. Oh, God.
now look what is ion done he’s found another context for lacedace okay it’s going to be in
his head now right and as he finds 200 of these things he’s going to you know he’s going to reach
some kind of right he’s going to get it now imagine we’re reading this and we don’t have
any greek we’re never getting to that level ion’s appreciation deepens that’s fantastic
what what did you think about oedipus um i think i saw something um you had said about oedipus
many years back like an interview question or something and i kind of agree with it that um
it doesn’t have really anything to do with like what freud you know fixates on it’s more like
escaping one’s fate you can’t yeah he like fulfilled it by escaping it you fulfill it
it’s crazy right right it’s a gorgeous look at the physics of the universe you think oh no that’s
morality and spirituality no it’s the physics of the cosmos you know if there are lace dye
operating at the time right and it’s bad and they’re causing problems like serious social
upheaval involved in the death of leaders and stuff like that um what the sphinx in context
here she is is she a lay stays yeah i’m sorry but she is totally what does she do she comes into
your town and she demands a tribute of children not the ugly ones right not the ugly ones it’s
terrible but hey if you’re ugly you survive i suppose that’s a good thing right and virgins
we don’t want anybody’s and when they’re using the term virgin they’re using the term for somebody
who’s not yet calved right you see that virgin heifer that’s what’s in the mind of the word
that’s what’s in the anywho um she who has not yet given birth so every um so often the sphinx
comes down and demands a tribute of virgins bring me your virgins love it right that’s the way it is
welcome to the world sophocles also wrote ion you know this i’m pretty sure but we have fragments
of his plays the root cutters is one of them and the other two in this trilogy I don’t know if they
know the title self but we have some fragments of of it that include a scene where we are collecting
drugs in the moonlight and singing a hymn I know I yeah I shouldn’t say it that way
um the process of collecting drugs and involves music right back to what madalena said right
we’re in the music fantastic medea right medea sorry chewy pointed out medea is involved in all
of this right of course the risotto moi right right exactly the root cutters yeah yeah so it’s
all there it’s all there good people do people see how you need to be reading your sources
is that pate pull up pate we’re starting off people because we’re jumping in cold which is
good we all need to swim cold into the greek oh hey yes how are you sir i am good how are you
i’m doing well i’m doing well can i ask you you went through the course with madelena and you
were there to see it happen and whatnot i’m wondering have you been reading any translations
of the any greek works have you been building your classics i keep encouraging people pete
to you know to go ahead and read the sources in english you know uh just because there’s so much
there’s so much have you been working on anything or yes i have um i haven’t been reading
in depth the classics but i’ve been reading the lsj i’ve been downloading all the grammar
and the brills and i’ve been copying it all i’ve been placing it into a program so that we can all
use it to translate everything without needing to go through paywalls and and the troubles of
being banned from the TLG oh my god I am so glad I am so glad that you said something fantastic
listen to that that’s a lot of work you’re doing a lot it’s a lot of work I’m tired but I’m loving
it and i’m going to continue doing it i’m learning and and absorbing all the beautiful greek yes good
oh god that makes me so happy is the so is the tech side um is when are we gonna let me just
ask this pay when are we gonna get a fucking ai that can go through all of these sources and the
tlg and say you know we can tell it tell us what christing was and it can bring it up and just
you know give it to us how close are we oh we are so there seriously seriously i did it
oh my god well um okay so you you’ve been able to integrate all the oh i’ve been looking at satan
i’ve been looking at all the etymologies and all the similarities and i’ve been delving into
why it’s so confusing so you’ve got this um septuagint um invasion of of hebrew
retrofitting and then you’ve got the greek right if you start at the beginning if you go with your
sources if you just go at the principal sources and you move your way forwards into the future
Instead of taking a Hebrew stance, which is – they’re desperate at the moment.
They’ve always been in that state, I find.
They’ve always been persecuted.
They’ve always been – the propaganda that’s been placed onto them.
Anyways, it’s a different story.
since the since the very publication oh god since the publication of the letter of aristeas people
this is the letter that is set that is telling us that the septuagint is a translation now
people this is great okay that you this is a great discussion just hang in there with me for a minute
if you have time.
Good.
People think about this.
So in antiquity, they’re introducing this concept,
this letter that says,
hey, the Septuagint is a translation of Hebrew.
There are no other works from antiquity
that I have ever seen
that are simply defenses
of a proposition of translation,
that this is an actual translation.
it’s very strange and people at the time thought that it was forgery yes
then you know people just don’t get it today because they’re not reading the actual sources
so it’s hard for them to it’s hard for them to put it in perspective that you know this is a
This is a propaganda move in order to claim legitimacy for a specific group,
and that group are the rabbis.
People, I’m telling you, you know how they come up to Jesus in the text,
and they’re like, Rabbi, right?
the rabbis are the religious leaders who are attempting to appropriate power over
everyone else and what’s funny is the Jewish authors that we have left are all
writing in Greek and they’re they’re very well educated fellows it’s an
Alexandrian educated mofo he doesn’t speak a fucking word of it right his his
His Greek is his language.
So the fact that the rabbis need to appropriate and say the original text is in Hebrew
when they’ve only got a 7,000 word spread to deal with just an unlimited number of Greek concepts
that only come through the Greek.
People are beginning to see the cracks.
People are beginning to see the cracks.
When I was in Israel, you know, I learned right away that Hebrew is, what happened was they resurrected the vocabulary that was in that ancient fabrication and then expanded on it, right?
And that’s why the head of Hebrew University in Jerusalem, their language program, their Hebrew program, that’s why he has to add words every year, because they’re working from a very limited base, right?
Now, the modern language is up to, you know, a fairly decent number of words.
It’s not a lot, right?
And there are a lot of loans, and they’re using a lot of English, for example, right?
And as a matter of fact, you know, you can get a buy on your English all over Israel, right?
So that doesn’t help promote the growth of the language when that’s what’s, you know, when that’s how the, when it’s not actively being used like that, when you’re relying on other languages.
But anyway, anywho, okay, so you’re able to tap into the AI.
The angle that I’m interested in, Pete, tell me what you think.
Is the AI being able to ultimately just confirm the past through these sources that we don’t have now because of the big deception,
which is the big historical deception which is simply that there is this hebrew source that
exists you know and that it just it has fucked our timeline absolutely right the ai the ai can
the ai pull us out of this pay give me some of your okay so ai has consensus bias right so it’s
being trained on all of the world’s internet and it’s being trained on wikipedia so it prioritizes
important websites from wikipedia and wikipedia is just a bunch of bullshit anyways right so you
can’t use ai to confirm anything you need to use ai to create a system that can’t lie you just place
it all in and it outputs reality so that an AI can take that and conclude what is needed,
not from bias.
Tell me more of what you mean when you say you can’t lie.
First of all, I love that, but tell me, just explain that to me.
Sure.
So when you’re taking information like language, you have to look at the language for translation.
You can’t take another language that had nothing to do with the development of such language to translate everything.
You can’t take Hebrew to translate Greek because it doesn’t work like that.
You don’t have the capacity to be able to say what is actually being shown.
You have to be able to understand the language and how the language has a developmental stage, grammar, vocabulary.
And we all have that. It’s all there.
We don’t need Hebrew. We don’t need another language.
We’ve used Greek and Latin for millennia.
we have it all we just need to place it in one area which i have done we have done uh soma library
and separate the reality from the magic you could say magic being okay tell me tell me about soma
library take me through like you know and and the congregation because we’re going to put this up
And they’re going to watch it, too.
Yeah.
So the SOMO library, I hope I don’t say anything that will upset the library, is a group of devoted individuals to the Greek and not just the Greek, but to all of philology and all that is observable and concrete.
And we are able to do the translations ourselves.
We don’t need somebody else to do these things because we’ve all gone through what Madalena has gone through.
So we are devoted to the Greek, to the Attic Greek, and not just that, but to bring all this information to everyone for free.
Look at that.
Oh, my God.
people. Can I just revel, Madeline? Let me just revel for a second. Hey, that’s amazing. That’s
absolutely amazing. It’s like you have created, resurrected the museum.
Oh, absolutely. And it’s not just me. I got invited to be in the library. So we really have
to say thank you to subatomic who’s um who’s wandering the the temples of aphrodite at the
moment oh my god should we all be completely jealous i am jealous i’m jealous madeline i
interrupted you what were you gonna say oh i just said well said so selma lot listen people there is
a place there’s a protected place where people are bringing back the muse right isn’t that
isn’t that gorgeous i mean it’s it’s like watching history all over again you know what i mean it’s
those pioneers i so love that i so love that what kind of look the museum had an effect on the world
right the positivity the civilization the beauty the health and people don’t recognize it the
museum in alexandria was a place where you could come to access medical documents it was a place
that processed physicians who were working in north africa who were at the very cutting edge
of their science right how do you get rid of bladder stones right excuse me anybody here
know how to do that right alexandria the museum is preserving this so physicians can train
you will notice that some of the greatest advances come from alexandria most most of
the cultural advances can be traced back that western civilization may can be traced back to
alexandra it’s not a fucking accident so your devotion to the greek paint and selma library
is it’s stellar you know i can’t do you want to keep talking talk about sure um i guess i could
share something about me i had been inspired by my first classes with you to go into sefo
or Sappho she’s she’s my muse and she’s the one that inspired me to create this app which I call
the universal sound operating system so not only can we take texts and place it into the system
and it’ll throughput a a result of etymology and links and and visually appealing but we can
create the skeleton of a song with this and it will it will respect the constraints of music
and that’s all because of sappho and she she showed me the laws and and regulations of of how
we can inspire the world oh my god if you’re sitting here and you heard that and you don’t have
you know a sensation of hairs on your spine standing up something’s wrong because that
is absolute this is a step forward hey what happened you hit the you hit the resurrection
button and god damn man it seems like you’re bringing her back we’re all doing i’m not alone
in this i thank you and i thank you chewy and you both are our inspiration to all of us that’s
amazing that’s why we that’s why we come to work you know what i mean because that just for that
reason um for somebody to resurrect sappho people has great great value for the entire world to
resurrect not i’m not just talking about to write about i’m talking about to resurrect
and to bring her back look what you’re doing with the music oh god we’ve got a tom jefferson
was talking about the
meter, Pate, and all the
there’s some way we can
get Jefferson
booted into this system
so he can be of assistance.
Let’s put him in. Let’s see
what song he wrote.
Absolutely.
This is like
a fantasy.
It’s come true. It’s
amazing, people. Look, we can
resurrect people.
We’ve got all his writings, Pate.
I’m sure this stuff, if I’ve got a hard copy of all of Tom’s writings, I’m sure it’s got to be online.
That you could somehow feed your AI, feed your system that spirit.
Because Tom was convinced that the music of the Greek was coming through to a point that it was teaching people as it was being sung.
so their education wasn’t just them going with the pedagogue and you know reading greek their
education was in their very speech so that they would understand music like person like myself
didn’t never got um yeah the prose that’s needed to bring a message across you know the the prose
for english is is um it sounds in rhythm and arithmetically like the pink panther song so if
you’re speaking english you sound like the pink panther song so the the greek have that too um
it’s very simple they don’t necessarily like to mix the singing with the music they just like to
place that that note um that drum uh drumming beat to keep that greek pure greek uh keep the message
pure which is really interesting um we don’t necessarily have to we can create with the system
uh accents and and blow people’s mind okay this is the league this is the league that will save
humanity um subatomic is one of the superheroes in your ranks i um i take it he should if i were
able to send him on a mission i would send him to northern turkey in in the region where they
say they discovered um a language that is more akin or closer to the hellenistic greek it’s
obviously a daughter, they called it, a daughter language of Hellenistic Greek people. This is the
Greek that was spoken in Alexandria, right? People will say, what about Koine? Because you don’t read
all the Greek. You don’t know. Listen to me. Hellenistic Greek is the cradle from which Koine
can emerge but it is a different Greek and there is a language in northern
Turkey can you find that look up the article no yeah good look up the article
for that region I can’t remember where that was but if I could send subatomic
to northern Turkey to find that language you know the one thing they didn’t talk
about in the article they said it’s so much closer to classical greek than modern greek that it looks
nothing doesn’t behave at all like modern greek so it’s music maybe did they preserve the music
did the would that be that would be amazing romeica romeica they’re calling it an endangered
greek dialect there’s got to be go ahead and put that up look here they are since subatomic
See this woman here?
Look, here, people, let me, this is, we’re doing, we’re sitting at the big table in the legion of freedom.
And do you see the endangered Greek dialect?
Yeah, the endangered Greek dialect is living bridge to ancient world, researchers say.
There’s our portal.
We need to find from these women.
We need to go see all of them, especially the one in front.
that older woman probably has preserved in her locked in her some kind of song in her language
so yeah it’s only a few thousand people my god where is subatomic look was he just in
can i say that he’s okay well i don’t know uh madelaine and tell me shop if i say something
compromises your security right oh god um so uh pate what do you think about this connection
i think if we can hear them sing that would be amazing i think we would be able to really
confirm and validate the findings the theory so all this is not just theory by the way
um i’ve taken this uh very seriously so all these all this information is validated
and all this information that i’ve placed into the system is repeatable and it’s all there you
guys can all take it and you could place it into your ai or whatever do it yourself and repeat
all this i’m not keeping this secret this is not the point the point is that we need to
take the library back oh god pete god you make me oh you give me you inspire me um
you inspire me people do you hear that that’s the heart of the beating heart of the museum
right there living bridge to the ancient world researchers identified characteristics that have
more in common with the language of homer than with modern greek people look it’s preserved here
this lady she must be found she’s like i swear people this is hera in fucking human skin okay
find her listen to the language right oh you can appreciate the beauty too while you’re there the
scouts that find this need to be need to be complete and total musicians they need to hear
with the ear of a musician which oh god hey i’m so oh did they not see that some people
people just take a look just refresh it you needed me to take a snap a screenshot i can
take a screenshot place it yes you people do whatever do whatever you need to do right you
scroll up just a little bit so that i can get the title ah here we go perfect and this is from
where’s this from this is the guardian this is the guardian the other one i saw this is in multiple
articles the other one i saw was greek times or something like that right here’s a greek reporter
give me the greek reporter check this out oh look send subatomic here people look dude send them
here hey if you don’t hate subatomic you’re gonna hear this at some time dewey we need to get this
thing out who’s recording tonight peter are you recording i am fantastic see people look look
it’s total send him here look i want you to stay beautiful one of these places look i stayed in
the monastery if i stayed in the monastery and let the nuns wash me shower you can come here and
northern turkey oh god pontian greeks listen to how people if this doesn’t turn you on
something’s wrong pontian greeks may have been forced out of their homeland 100 years ago but
Their language, Pontic Greek, still lives on today.
Oh, God.
Oh, Trebizond.
People.
Is Trebizond Trapezond?
Trapezond.
I’m not sure if the, not sure if the, yeah, I’m not sure if that’s the same.
Good question.
Look it up.
The land of the legendary kingdom of the Amazons, hello, Aion, was colonized.
Aion, have you been reading about Amazons, too?
Oedipus.
Right.
and who is that sphinx oh god up on the black sea people was colonized by the greeks in the
8th and 7th centuries you know okay they were still present earlier right but you’re talking
okay fine was immortalized in greek mythology as the area from which jason and his crew of 50
argonauts began their journey across the black sea on his quest for the golden fleece from
the priestess of artemis who they called medea right they called medea artemis do people know
that oh god i didn’t know that people didn’t i have an interesting thing to say about uh this
place Trabzon or Trepazos. Okay, go ahead. It seems
to be an area where mad honey was made.
There’s a couple of accounts. Xenophon talks about one
where the guys roll in and they’re like, oh sweet, there’s honey everywhere and they eat it
and they all start to get intoxicated. And the other one was
Pompey fighting Mithridates. Mithridates
used that honey right around that area, that town,
used that honey to defeat Pompey.
OK, it’s just it’s just interesting because it’s a drug. It’s that that mad honey.
Beautiful use of sources. They’re beautiful. So subatomic needs to pick up some goddamn crazy honey, right?
Oh, God, I believe what’s going on.
Sorry to interrupt. I believe that there was a member of ours that tried the mad honey and you can become desensitized to it after a while.
isn’t that interesting it’s amazing oh god romeica people romeica it’s a variety of pontic greek
okay structural similarities to ancient they don’t exist right there’s no parallels with modern
this is serious there’s only 5 000 of them okay fantastic okay people let’s get into the search
now. Everybody who’s been talking to me, Ion, Pat, Madalena, hang in there with me. Put yourself
on mute, though, but don’t take away your capacity to speak, because I want to refer now to you as
group. Brian, I need you to pipe in as well. He’s not there yet. Oh, God damn it, Brian. His computer
died. People, let’s go find Satan together, and I just want to, I’ll start with Satana,
and people I’m leaving off the ending you know you can do it with satan or satana searching
corpus and I’m going to switch to date because I always begin my searches with chronologically
so I can develop a kind of an understanding of where we see the first and whatnot right
here’s the septuagint people is anybody surprised look at the sources that they are right
Regnorum. You know, the kings, right? Oh, God. In text to Masoretico. Oh, no. People, you see the
difficulties right away? Okay. Yeah. What does that mean? What does that mean? This is one of my
people. Just want to translate what’s in blue. This is going to surprise people. People I have
not, I purposely did not embark on this, so that we can do it at sight. Right?
Kai egeren kurios Satan. This is the first time you’re gonna see it, one of the
earliest appearances that you’re going to see it. People, remember, Satan and
Satuarnas or Saturnus are the same. So we see the transformation of the name.
originally in the Septuagint. Now, what kind of context do we see in it? I just want to see
where I’m building an understanding. Who is this guy, Satan? Is he a guy? Maybe he’s a girl,
right? Who knows? Let’s find out. Kai egeren kurio satan. Egeren is the form of egero,
which means to raise up from sleep, from death, to bring you back from one trans-dimensional space
to this reality. Eigeren kurios. The kurios raised Satan. What does that mean?
Ippo? Resurrection. Resurrection is not what you think. Madalena, what was that?
the lord of the realm yeah yeah yeah what is the lord doing bringing from that realm to reality
sat bringing the satan oh god what is people now just stop right there now with your eyes
i want you to shotgun other words in the sentence and look yelusalem wait a minute jerusalem okay
Hmm. Interesting. Okay. Who are some of these people? Adrazar? Eliadai? Right? Esrom? Who are
they? Okay. Look. What kind of names am I dealing with? All right. That’s the… Keep going. Because
this is the same source. Shotgun it. Shotgun it. What is this? Yisrael. People, look. What’s in
the environment of Satan here. What does this even say?
What’s Satan doing? What is he doing all these
days of Solomon? We got this name, Israel. You see the ending of it? Let’s play some
linguistics. Satan, satanael. Boom! 43 references. Now you know what texts are
connected. People, what is this word? Satanael. It’s just that ending, Israel, on
Satan. And who is this? Satanael. When does he appear? This is the Acts of
Ioannis, the axe of John in the Apocrypha.
Acta seu pera grenationis.
What is it?
It’s the axe or the travelings, the travel log, if you will.
Right?
The voyaging, the journeying of John.
And he is involved with Satanael.
And look what it says.
satana el eke kat oike, dwells there. Ah, God! Right? It’s the dunamis. It’s that power of Satan
that dwells there. People, we’re bringing from the invisible extra-dimensional spaces,
we’re bringing those to the reality, both in the Acts of John and in Septuagint.
What is the date of the Acts of John? 82? Question mark. 82. People, why are they saying 82?
Is there something in the Acts of John that dates it? No. This is stylistic. This is language. You
can look at the language and say, when’s it coming about? But our Septuagint people that we looked at
before, what’s our date there? 3rd BC to 3rd AD. So look, people, we got some overlap. So you’re
going to be noticing similarities here. Where do I find Satan? I find him within a specific
dialect. Oh, God. Septuagint. Here’s the patriarchs. Let’s go down to the patriarchs.
What is, what’s, anytime you see this for Poreo, right? Poreo, my. What is this person doing? This
is like illustrating. It’s often translated, go around, right? But that doesn’t capture it.
What are you doing when you live in a reality where forces that are invisible can be summoned?
You know, what are you doing?
You’re working with the archons.
You’re working with the physics now.
Remember how we just said a few minutes ago, the physics?
It looks like it’s, you know, religion, but it’s not.
It’s physics.
That’s what’s being tapped into here.
Notice the dates.
Testaments of the Patriarchs, 2 BC to 3, boom.
Why?
Why can they say three?
Because there’s some late Greek in this, right?
There’s some late, heavily coinate up the butt Greek in this
that’s using forms that an Attic, you know,
or even a Hellenistic Greek would be.
Oh, Brian says he’ll be here Monday.
Thanks, Brian.
Fantastic.
Look at the dates, people.
2 BC to 83.
Fantastic. Here’s Enoch again. Satan’s our archon, people. When Jesus summons or unsummons,
when Jesus brings the demon, the daimon, forward, the ruling daimon, you’ve got to understand it’s
only because those daimones have legitimate physical power. Satan is our archon. We’re
talking about the spirits of wandering look people all you’re doing i’ve seen this text before
so these are you know here he is again now my tone now people draw near to the god
draw near all right how are you drawing near you’re summoning you bitches didn’t know that
we were all summoners of demons this is for salvation dawn we don’t kid around what is this
more testaments of the patriarchs. It’s for the salvation of the people. It’s the spirit of love,
people. What does the spirit of love do? Look at this, Pete. Sunerge. Now, I want to put
a digamma there, because there is one. Sunerge. Sunerge. I’ll bet those beautiful women who lived
up in those gorgeous mountains and had the language of the gods still in their breasts
i bet that digamma was in there that too you’ve got to ask can you ask subatomic to
to or whatever agent the museum sends can you ask him to say hey listen for digammas
can he get dressed up nice and you know put on some nice cologne and ask one of these
women to a coffee or something and say tell me you know let me hear your voice yeah right i think
that’s great i think i i’ll definitely ask him to do that good good that’s the spirit of love
tell him you gotta go there in the spirit of love right right satan is the archon and you he knows
that’s the spirit it’s gonna lead you oh god in macrothumia people let’s check this out look
look okay now madelena try break this thing down into its component parts macrothumia
we’ll just do this quickly right uh uh large something sumios what is that thumos remember
that oh god what is that thing inside of you huh long-suffering patience you got a great thumos
man that’s what hey we need to set up we need to set up subatomic make sure he’s got his stuff
together so he doesn’t blow it with this with these ladies in turkey right it’s got to be
through macrothumia long-suffering they say patience how do we get to patience and forbearance
and oh god people look what it is it’s the letter of aristus and the septuagint and the epistle to
the ephesians so what what can we say macrothumia is making an impact specifically with the crowd
that we’re looking for Satan in, right? Oh, God, right? Don’t, this is the kind of stuff that you
can’t, you can’t overlook. I want you to see, I’m going to put in Thumos here, because this is what
you got to big of, people. What are we, oh, God. Oh, sorry, Ion, for your bad weather. Ion had to
buzz off because of the weather oh god tornado really oh god anchor down amazing stay in there
oh god whoops sorry people where are we going warty x crescents that’s not what i want people
don’t if you somebody shows you a warty x crescents run soul spirit as the principle of life
You have great soul, feeling, and thought, especially of strong feeling and passion.
People, what is it derived from?
Where is your passion, your strong feeling, where is it coming from?
Madeline, does this surprise you?
Thuo, where did she go?
Madeline, are you still there?
Yeah, I’m here.
Does it surprise you that sumos is this term derived from another term that means to sacrifice?
No, it doesn’t surprise me.
It’s all the mechanics.
All the mechanics wrapped up.
What do you think?
I think that’s beautiful.
Yeah.
You get patience from sacrifice.
Where is it coming from?
You’re celebrating something, right?
The sacrificing thing you’re celebrating.
Offer by burning.
You’re offering something to the gods.
Remember?
Remember Iphigenia?
Yeah. What was her offering? Her offering was a fucking person, right? It was a person until she
escaped, right? It was a person. She didn’t want to be doing that, right?
She almost did.
Yeah. Yeah. How does that, how does that possibly consult the gods? Look here,
to consult the gods. Your sacrifice, your offering is your prayer. And I can’t emphasize this enough,
people. Your offering that is in your chest is your prayer. Do you see how it’s all connected?
Do you see how it’s all connected? Look, here it’s connected with Eleutheria, with freedom.
Yeah, there’s a lot going on here that people just don’t get because they don’t read these
texts. We are absent from these texts. That’s why the SOMA library is so important.
I love that so much.
Isn’t it gorgeous? Now, people, can I just, before I go on, I’m going to dive a little bit deeper because I want to go deeper.
What’s this?
Joseph Yehuda.
Right. Look what he does. He quotes the Greek.
He’s talking about Abraham and he’s talking about the fact that they’re people, the Judeans are lacedemonians.
They’re one people. Do you understand? This is a dude who’s writing, who’s discovered that Hebrew
is deriving its, he wouldn’t say it’s fabricated. He would say it’s deriving its forms. It’s taking
its vocabulary directly from Greek. It’s using Greek, right? I would say it’s people who are
doing this on purpose without a spoken language who are using Greek that are
creating this right he would say it is a fact just a fact of history linguistic
history that Hebrew is gleaning meaning from Greek right he would think that
that was ever the thing is that’s not as well thought out as it sounds because if
if they’re not existing on their own, like Latin, right?
Latin has its own base.
It doesn’t need Greek to exist.
Does it borrow heavily from it?
Sure it does, right?
But it doesn’t need it to exist.
It’s got its own base.
The problem here that Yehudah really exposed
was that this is being done artificially.
There is no base of Greek.
There is nothing, I mean, of Hebrew
that they’re working from.
There’s no base of Hebrew.
though he inadvertently exposed the lie, the grand lie.
And he does it elegantly.
And this guy, Saul, who does the introduction here, Saul Levin,
says, look, he basically says, look,
you can’t fuck around with Yehudah’s findings.
you know they’re they’re you know they’re they’re just straight up science like pate was saying
right valid yeah so i want to look i want to look people oh my god look where he starts
i forgot this i was most gratified to learn from him this is saul right trying to catch up
what is he talking about he’s talking about the homology of a hebrew word with
right and then he says means specifically on oracular or prophetic proclamation
and goes into look at the bases people for all of our prophetic you know yeah right and then he goes
into homer hey say right say hey right there is need for you and he says oh wait a minute how is
this related to it right he’s he’s trying to work off trying to work off the greek text that we’ve
got they’re doing it beautifully now look at the bottom what a conclusion right okay wait on that
notwithstanding the impressive correspondence and structure the root itself was unparalleled in any
known language apart from greek so all you indo-european fuck wads go fuck yourself right
Now, however, I’m satisfied that they’re cognate
and anchored in the most basic stratum
of Hebrew and Greek vocabulary.
Look, and right away, what does he try to do?
He tries to solve something.
Don’t try to fucking solve something, right?
Look what Yehuda is doing.
And he does, he just pounds it over and over
and over and over again.
It corresponds not quite so well with blank.
Talks about the Greek noun, kheio, kheio.
quoting. Alexandrian sources. People, I’m telling you, this is just like the same kind of work that
Philo was doing, right? The same kind of work. You’re working with sources. There are no Hebrew
sources. All of this Hebrew that he’s bringing you, right, is from what they made of the Septuagint.
Look at this. Look at this. Look at this, people. I just want to look at a couple of things here.
By comparing zei, which is what the Hebrew says there, right?
This, look what he wrote above it.
He did it in Greek.
With the de or the hote, Mr. Yehuda has enabled me to clarify two long-standing perplexities.
What are the affinities of this ubiquitous Greek particle,
which has no evident Indo-European cognates?
Again, you Indo-European assholes, including you goddamn grim brothers.
go fuck yourselves this ubiquitous greek particle we don’t even use this people we don’t have it
our language is not that complex but look what they’re getting in the greek i mean in the hebrew
right they right it’s all over that’s just so common modern hebrews using it too right
little demonstrative there right that’s all why does the striking syntactical parallel
of the article noun article adjective which greek uses so peculiar to greek among the
indo-european languages and to hebrew including phonation why is that not extend to article noun
article demonstrative look what he’s doing people this is why he’s telling you hebrew is greek
I don’t know. I hope somebody can find. Look who he’s quoting, people. We were just talking
about Euripides. Look who he’s quoting, right? Here’s the Phoenician women, 920. Nice. Here’s
Heracles. Oh, God. And for those of you who are learning the Hebrew, you know how you learned
hutos and ekenos, right? Well, here you go. Now, you’re going to see how they affected and
influenced this Hebrew. Now he would say it influenced it. I would say they used the Greek
to fabricate. This is great. I can place this in my system and we can reorganize it all and
differentiate it beautifully. This is very good information. I really should put this in the
system hey um that sounds like a it’s probably yeah sounds like it’s probably a great idea
you go for it i mean that’s your commission that’s your commission because look does that
does everybody notice this is just you know i’m just randomly reading but this is just
science this is just good linguistics this is just good science hey put it in there plug it in
and see if we can see what happens exactly um your ai may come up with a good with a good uh
i don’t know it may teach i don’t know what it can do you’re it’ll be interesting now my system
is not dependent on the ai i do have an ai in there and it’s learning the system as we develop
it too got it we’re not educating as you go exactly are you educating ai is that what you’re
doing exactly yeah teaching it reality it is the museum you managed to resurrect the museum
i don’t know and sappho there is ruling this is fantastic another problem of greek syntax
which mr yuda’s book throws unexpected light on people this is just the introduction is the rule
that a god’s name and prose and comic verse interestingly enough those of you studying the
Greek. Y’all think about that. We’ll be preceded by the article, Hoseus, which your modern, dumbass,
seminary-trained hoo-ha bullshitters who make videos and try to refute when they haven’t even
read the text, right? Oh, by the way, that guy that did the biblical, what’s his society called?
Biblical something? Bullshit. Who came out, he’s coming out and he says, oh no, he doesn’t know
is Greek. This is that and this is that. No, I don’t know what the dude’s name is, but it’s a
biblical scholar guy. He’s like, oh, I’ll read what he says on the Lacedes in Lucian. It’s probably
not what he says, right? The dude doesn’t even read this stuff. People look. Hoseus. A seminarian
is going to translate that as the Zeus, right? How is somebody who’s going to, who’s read these texts,
I’m going to translate that, God, right? Demeter. Hey, Demeter, you’re not, the name of a man or a
woman takes the article only when it recurs. The Hellenists in modern times, those modern Greeks,
have explained that the article marks the person as already known to the listener or reader.
Hellenist there, he’s probably referring to, excuse me, he’s probably referring to people
in classical philology you can call people who focus emphasize the greek helenus anyway
because of a previous mention of the if the person is human whereas a god is already known
whenever he is mentioned mr yehuda in no way undermines this by equating joseus with el shaddai
right any of your is that should die should be it should be a dollop that sounds like
as well
which is nice nice nice look which is conventionally translated god almighty
but he brings out what no one has ever suspected before that l as in satana l in the hebrew
expression is functioning like the definite article in the greek oh my gosh say that again
who said that he said oh my god yes right people satan to grasp the syntactical parallel we need
not adopt his phonetic argument that the hebrew sounds are just a modification of the greek sounds
Look at that. Look at what Yehudah is saying. The Hebrew sounds are just modification of the Greek,
right? This is the person who’s Saul who’s writing the introduction saying, look, he goes as far
as to say the Hebrew is just modified Greek. People, do you realize that could destroy
the last 2,000 years of lies about the history of the Judeans, the history of everybody, right?
Oh, God. Didn’t he say in the beginning, that’s why Yehudah was wearing white pants,
you know what I mean? Because look at him. He’s saying, look, right? They’re one people,
the Judeans, and the Lacedaemonians. They are one. They’re coming from one people. Isn’t that nice?
So, of course, the Greek is going to be the foundation upon which that Hebrew is constructed.
alpha beta gamma delta the first thing i noticed when i went to israel and started
i took a class in modern hebrew just for a semester the first thing i noticed is the
motherfucking alphabets begin exactly alike you know the chances of that without them
one coming from another there’s no chance that’s no right it’s 100 had to do it
hey it’s like the most obvious and yet it’s the you know it’s something that is rolled under the
carpet that when you say something like this you’re like people freak out yes because the
traditional narrative is bullshit and it’s not us saying that just in the present it is yahuda
saying that in the present, but they’re saying that in antiquity as well. That letter of Aristeas
is fucking a lie. It’s just a lie. There is no Hebrew. Hebrew is Greek. It’s a fabrication from
Greek. Fantastic. Let’s do a little more search. Do I need to reset Satan here? I want people to
see. Now I’m interested in satanael, right? Now look what they did, people, on the name,
by the way. When you put the definite article, do you see how this, people, I did not set things up
this way so that it would perfectly illustrate exactly what I just showed you, okay? That’s the
muse. I can’t do that. Satanael. Look what they did, people. They used the definite article on
the end and they added a vowel right they gave it an extra syllable instead of satanel they made it
satanael there is a musical reason for this the language is is forcing itself the language is
forcing itself to cooperate with the music the archon is using the music right what is it when
the heavens open? Oh, it’s the music. What is it when you go into the Mithraic rite? It’s the
fucking overwhelming music. It’s the way to communicate the mystery, people. Look, and here’s
the, look, this name Satanael that we just learned how it’s formed. And by the way, people, nobody,
nobody on YouTube is going to be able to tell you this. Nobody. None of the people that you watched,
None of them. Absolutely none of them. From the so-called experts like Bart Ehrman to everybody
else, they’re not going to be able to tell you this. Satanael here in the, I’ve seen this one,
this text. This is the Gospel of Bart. People don’t read this one. It’s a little bit late,
AD 3, so in the 200s, but it’s following right upon what all the majority are written in the
second century, right? In the 100s, Anno Domini is when this stuff is being written. Beliar. Okay,
people, this text, it’s going to give us little hints here. Beliar, right? Beliam, Belial. What’s
going on? Look at this row. Why does this row like to change? Because that’s the way of the row,
you shitholes. Not you people here, right? But the people who sit around writing books and stuff and
crap about stuff they don’t know and going on shows and saying shit they
don’t know doom belly are the row you can have D
rotification right you can have a row drop out completely because it’s not
musically correct it doesn’t abide by the music so it has to be dropped that
makes sense. Notice that satuarnos has the
di-gamma, right? It’s again the same thing.
And here they’re describing, I remember this one, here they’re explaining
to you exactly what the Satan is. The Satan
is the ex-angelos theou. Does everybody care now?
No, no, no. It’s all described.
Yes, it’s all described, people. The name, right? Satan.
Love it. This is all in BART. Does anybody read this? I damn well guarantee you. Hey, my Greek
group, just take a look at it, right? Take a look at it. Look at the forms that you’re seeing there.
Madeline, look at this. If you want, if you want to what? If you want to learn to become a disciple,
right, to become a student. If you want to learn to onoma, moo. Look at this little
enclitic son of a bitch. People, Greek people, do you see how the accent has
jumped from the enclitic here, moo, boop, it’s lost it, and it goes to the a in the
onoma. This word is not onoma, it’s onoma. But when you put this little word in
front of it that hates the accents, it’s going to get two. That changes its tone musically. So
you’re not just getting a verbal, you’re not just getting a literal, in the sense of words, change.
You’re getting a musical change. That’s why we need the priest of Apollo. Do you understand?
You don’t get there without a son of God. Yeah. They called him Satan when he got thrown out,
right? He became the Angelos Tartarujos. Tartarujos. What kind of word is this? People,
what kind of word is Tartarujos? Look at it in its lemma, in its dictionary, in its dictionary.
Lemma is just its dictionary entry, right? Tartarujos. This looks suspiciously, whenever I
see repetition, looks suspicious to me. I don’t like it. The derivation is going to
give us problems. And sure enough, it does, people, right? Controlling Tartarus, that’s fine.
What’s our source? Oh, God, are these magical texts again? Are these magical? I’m going to
have to go back to Ion. I’m going to have to go back to, I’m going to have to go back to
trying to explain where this thing comes from. Is it Greek? People, look at Tartarus itself.
Look at the sources. Pindar’s Pythian Odes. You do not get more mainstream than Pindar’s Pythian
Odes. This is the, even though he’s got a lot of Dorian, holy mackerel. Look at, what’s the next
source? Uh-oh, Nicander’s Theriac. Wait a minute, what? Yeah, people, you’re in the right. You’re in
it by way of the vocabulary. Who is Tartarus? Tartarus is the father of Typhius. Do you sense
a storm? Do you know that the storm is coming? Oh, God. All of this people within the language,
it still doesn’t tell us where is it coming from, right? But what other Greek am I finding in its
environment, I’m finding nemesis, right? That’s that dark Tartarus. It’s hypotonic, people. Do
you even know what hypotonic is? No, you don’t, because I didn’t when I first came across it.
I didn’t know what the hell they were talking about. They’re talking about dimensions just
like you bring out Satan into a place where he is naturally Archon. Those places are identified
and tagged, and there is a hypoktonian dimension. It’s around you, it interacts with you, and it
involves nemesis, dealing out, right? Look at that root, nem. People watch this, what we can do.
You see, you would thought you were with just the devil, but you weren’t, right? You’re with nemesis,
right? Look at all these words using that nem root. Aren’t they gorgeous? Look, there’s a,
There’s a contest, a festival, Nemesea, right?
There’s a place where you do things, the Nemesean.
What is nemesis?
It’s from the verb nemo, which we’ll go to next.
But look, people, it’s a distribution of what is due.
It’s exact justice, people.
Righteous anger aroused by injustice.
It is retribution.
It’s the perfect rebalance of the cosmos, right?
That is nemesis. Nemesis division comes from five. Born on the day of nemesis, are you?
Oh, God, those Pythagoreans. Look at what those Pythagoreans are doing. Isn’t that gorgeous?
Were you born on the fifth like I was? Oh, God. People, what about the verb? Now, you didn’t think
that that was all wrapped up in there, did you? But it is. Look, just look at the verb. What does
it mean when you nemo something? You dispense. In Homer, look, it’s used of food. Food and drink,
people, right? Oh, look, you can get drunk too. Methu, right? You can nemesis the methu. See the
methylation and all that stuff right there, right? Oh, God. You’re distributing something when you do
that, what happens when you distribute moira? When you distribute moira. See here, people? Fate,
right? Good job, Chewy. When you distribute fate to someone, you pay them respect. You didn’t expect
that, did you? Do you see? You really can’t translate these words. You really can’t. When
you’re reading an English translation, you are not getting this. Love it. Look at number two in
the middle voice. Distribute among themselves, right? To possess. When you distribute for your
own sake, you reap. You reap. Is that what nemesis does? Does she reap? Yes, right? Look at major
defo number three, right? Hold, possess, hold, sway over, manage, right? But look how it kind of
consider, right? Consider. Nemo theon su, sorry, said Nemo theon, right? I consider you God.
Consider you God, right? You’re a God person, right? Okay, that’s neat. That’s Nemo, right?
You can feed your flock. You can feed your flock when Jesus goes into all that flocking
bullshit that he does. He does it for a reason, people, right? He’s not just the divine judge of
the great white throne for any reason. He’s there because that’s what the language takes him to.
Okay, let me go. I’m going to do one more. We’ve gone a little over time, but that’s okay. I wanted
to give you a good one, and I wanted you to see it, and the muse, sure enough, came through.
People, here’s all, here’s all of it. Here’s the life of Maria of, what, Antioch? Fantastic.
people who is this i’m telling you who is the how would you translate this can somebody please
translate this for me in blue what is hey who got her to dios what’s up to god of the gods
Yeah. What is that goddamn daughter?
His daughter, yeah.
Yeah, people. Wait a minute.
Oh, God. The Zeus.
Yeah, right. What? We’re dealing with Zeus’ daughter? What?
And Uranon. People, when Jesus sees Uranon opened up by means of the Baptist, it’s mainstream, right?
Didn’t you think Satanael would be involved? Oh, okay, look, Michael
Sellis, look, Michael Sellis, it pisses him off when people ignore the esoteric, when
they ignore the actual texts that have those esoteric. Look at, look at Epigeion,
Satanael. Why? Why is Epigeous, why is Satanael Epigeous? What? Epigeion, let’s
take a look at it people just means on the earth right watch this oh god damn it there we go why
is he epigeous uh-huh there were giants on the earth in those days right people you’re gonna
love this world you’re gonna actually absolutely love it hang on you’re gonna absolutely love it
Okay, we’ll pick up from there because we got to the 12th century. We got to the 11th with Michael Sellis.
There’s a couple more with Santa Niall, but I think I’m going to call this one at one hour and one-half.
um people you see how it works and what we’re doing i want um people who have access to the
intensive course with madelena who’ve gone through it and have worked worked hard i want you to
please consider getting yourself access to you know very justly and very politely access right
don’t go in there and hack the shit out of these people right come on right give go ahead send them
there let them know hey the the museum is a place of honor so pate you should have a fucking tlg
you should have access to tlg right brian so biased at the moment with certain things i do
my research on the tlg and i know i’m on visitors and i know i’m not getting all the information so
I end up asking other individuals around me in the library to help me out.
So yeah, everybody get, get a subscription. Yeah.
There is there is a conversation that’s happening at the moment with
one of our members and the, the TLG.
So we are working on a group thing. Hopefully that’ll come through.
We’ll keep you all up to date. Okay. Let’s let’s keep it,
make sure that it stays on the up and up because i know like i told people pay to pirate my book
i was like just you know it’s ridiculous it costs like six thousand dollars on on
etsy or whatever and and and none of that that’s all going to them right it’s that’s a that’s a
first publication it’s not i i don’t make any money from that what’s its sale in the world
whatsoever and there’s a nice pdf just fucking get the pdf right and i would normally say that
but with tlg we need to go straight up give them the fucking money show them that people
are interested in using it and use the hell out of it you are not getting oh you’ve got to get
the whole thing pate i don’t know i don’t know how um to finance this because i’m not a financing
kind of guy. But you need to get, we need to use this tool. Those of you who have gone through the
intensive course, if you do not get this tool, you’re letting a huge opportunity slide right
through your fingers. So if I had a gazillion dollars, I would just call up them and I would
say hey let me give you a million dollars for the year and you know just uh give everybody free
access to this because we need it so um yeah let’s don’t hack tlg people i know there’s a lot of
people out there who have the genius to be able to do this do not right the other resource that
people who are reading and going to the greek should get madelena i want you to consider this
because like madelena is chomping at the bit saying what sources do i read i want to i want
to read these classical sources i want to have them under my belt um and which ones do i need
to start with where do i go um you need a collection that’s madelena from the lobe classical
library here yeah i’m working on it are you working on okay that’s another subscription
that’s another subscription mine yeah mine has lapsed chewy how much was that
yeah something like a hundred something like a hundred dollars but with the lobe
you get an english translation on one side with the greek on the other and it’s excellent for
building vocabulary excellent for building so as fannie lemoine told me i’m passing on to you she
was a great classicist i’m passing on to you go get your lobes and start packing your vocabulary
by reading a paragraph in greek and then jumping over to the english translation and saying what
vocabulary did i miss bam bam bam pack them in and you’ll notice just after 30 minutes of doing
that with one author you will not be packing as much vocabulary right because authors are limited
by their own you know by their own vocabulary so cool all right all right
I’ve got to run this was an amazing session this is exactly what I wanted
for a workshop for my students and I know there are a couple of you out there
that need to come up there’s more of you that need to come up we need to get you
in the table at the beginning talk to talk you through the research I know
know you’re out there so thank you please come forward and we’ll the
process is you know again people I didn’t prep this and it’s it’s a good
thing I didn’t because I can’t put together the material this this
beautifully it’s the muse thank you for coming and you’re welcome to continue
the conversation and there’s in the meeting room I guess are you and you’ll
leave this room going like okay and for the moderators who are helping us to keep out any
sort of nazi racist bullshit that is opposite of the spirit of the museum um thank you keep it up
you know and everybody enjoy and i’m going to be reading going through the chats and and the
testimonies on the side here and i may leave you comments because that’s i want to make sure
that we’re sculpting something nice here you know what i mean that we’re not we’re not having
anything you know harmful or stupid yes we’ll post more yes of the classes oh chewy you’re
going to get a paint i’ll let you work that out with chewy no worries and finally a shout out to
sabatama who’s out there oh god let’s hope his first date goes well i love it thank you thank
everybody dr hillman can i please offer one thing before we go as a teaser for the next class
sure go ahead is this jason yeah yes uh i found i found satan in a fruit tree in threophrastus
and uh i would be interested in discussing that next time satan in a fruit tree in a botanist
oh god ion’s gonna love that too he was he noticed the same love it good job jason look what we’re
doing people right we’re crafting crafting a portion of the museum thank you nice job jason
seriously good catch um thank you everybody for coming and hail satan i’ll see you guys next
tuesday no monday monday at we’re gonna do mondays and thursdays for an hour and a half
until we get so deep on satan that we’ve answered every question possible okay i’ll stop taking up
your times right now it will we must we must do it okay um thank you guys for coming hail satan

1 Item

Contributors

Subscribe
Notify of
guest

0 Comments
Oldest
Newest Most Voted